Thomas Sully's Philadelphians: Painting the Athens of America

Philadelphia's early national history represented in Thomas Sully's portraits Thomas Sully is widely regarded as perhaps the most important portrait painter of the antebellum years. Using those portraits, Thomas Sully's Philadelphians: Painting the Athens of America reconstructs many of the people, institutions, and events that combined to make Philadelphia, from the Revolution until the 1840s, at once the most cosmopolitan and most racially embattled city in America. The book approaches Sully's portraits as visual documents in the history of Philadelphia in the first half of the nineteenth century. The faces of the men and women who appear in his portraits are alive with intelligence and personality. His best work has been summed up by Carol Soltis, of the Philadelphia Museum of Art: "luminous color, a dramatic or nuanced quality of light, a rich but refined handling of paint and description of form, tightly integrated compositions that underline a narrative or dramatic moment." Gathered under headings that include individuals, institutions, professions, and contemporary events, Sully's portraits offer points of entry into much that was going on in early nineteenth-century Philadelphia. Conn explores education, politics, theater, medicine, journalism, commerce, philanthropy, religion, and the fierce debate over slavery. In each case, Sully's portraits bring to vivid life the men and women who were making the city's antebellum history. Drawing upon wide research, including previously unpublished archival material, Thomas Sully's Philadelphians brings to life the men and women who were making the history of early national Philadelphia.

Table of Contents:
1. Introduction 2. A Brief Biography 3. Pennsylvania Hospital Samuel Coates Benjamin Rush 4. The Second Bank of the United States Nicholas Biddle 5. The Theater George Frederick Cooke Fanny Kemble Charlotte Cushman 6. The Library Company of Philadelphia Zachariah Poulson 7. The Jews of Philadelphia Rebecca Gratz 8. The American Philosophical Society John Vaughan Peter Stephen Du Ponceau 9. Lafayette Returns to Philadelphia 10. The Historical Society of Pennsylvania William Rawle 11. Natural History William Wagner William Maclure 12. The University of Pennsylvania John Andrews 13. The Debate over Slavery William Henry Furness Benjamin Coates Daniel Bashiel Warner and Edward Roye 14. Epilogue: Thomas Sully and His Critics Jonathan Williams George Mifflin Dallas Bibliography Index

About the Author :
Peter Conn retired from the University of Pennsylvania as Vartan Gregorian Professor of English and Professor of Education and was a member of the graduate groups in the history of art and American civilization. His publications include The Divided Mind: Ideology and Imagination in America, 1898–1917 (Cambridge University Press) and Literature in America (Cambridge). Pearl S. Buck: A Cultural Biography (Cambridge) was chosen as a "New York Times Notable Book." The American 1930s: A Literary History was published by Cambridge in 2009. Conn wrote and presented a video course and book on "American Best Sellers" for the Teaching Company. He has given talks at the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts, the Whitney Museum, the Philadelphia Museum of Art, and other institutions, on a number of American artists, including Edward Hopper, William Christenberry, Thomas Wilmer Dewing, Maxfield Parrish, Charles Sheeler, Winslow Homer, Wharton Esherick, and The Eight. A John Simon Guggenheim Foundation Fellow, Conn has also received several awards for distinguished teaching. He has served as literary consultant on numerous television projects, including the Emmy-winning series, "The American Short Story," adaptations of novels by James Baldwin and Saul Bellow, and a video biography of John Dos Passos. Since 1993, Conn has served as visiting professor at the University of Nanjing in the People's Republic of China. In 2011 and again in 2013, sponsored by the Ford Foundation, Conn lectured in West China on topics in American studies.

Review :
"I have never read a book quite like it. It discusses two dozen portraits—and their subjects—by Thomas Sully, the prolific portrait artist of nineteenth-century Philadelphia. As we read Conn's biographies of Sully's sitters, we realize that he is slyly giving us the history of the city itself, its institutions and ideas, as told through the makers of those institutions, and their critics." (Michael J. Lewis, Faison-Pierson-Stoddard Professor of Art, Williams College) "Thomas Sully's Philadelphians is a work like no other. At once an expression of fierce love and elegant elegy for the city, in strokes as artful as Sully's own, Peter Conn's clean, swift prose paints a brilliant portrait of Philadelphia in the long half-century before it gave way to New York as the cultural capital of the United States." - Michael Zuckerman, Professor Emeritus, Department of History, University of Pennsylvania "With a diverse and fine selection of Thomas Sully's portraits, Peter Conn introduces us to a variety of socially and politically engaged men and women who contributed to the growth of important Philadelphia institutions dedicated to education, science, business, and the arts during the first three-quarters of the nineteenth century." - Carol Soltis, Project Associate Curator, Philadelphia Museum of Art "Peter Conn has compiled what amounts to a splendid group portrait of early-to-mid nineteenth century Philadelphia by a single talented artist, Thomas Sully. Engagingly, this assembly of notables also reads as a tour of the great institutions, buildings, and milestones in the city celebrated in Sully's day as "the Athens of America."" - Kathleen A. Foster The Robert L. McNeil, Jr., Senior Curator of American Art, and Director, Center for American Art, Philadelphia Museum of Art "Peter Conn has written an engaging and accessible exploration of Thomas Sully—the leading mid-19th-century portrait painter who should be better known today—situating him in his fertile Philadelphia environment. Underlining the importance of place for Sully's portrait practice, Conn surveys his layered relationship with the city's culture and society." - Sylvia Yount, Lawrence A. Fleischman Curator in Charge of the American Wing, The Metropolitan Museum of Art