About the Book
A grand scale space opera about family, sacrifice, and survival told within an immense universe, both in scope and originality.
A must-read cult spin-off of "The Incal," by Moebius and Jodorowsky, centering around the fascinating lineage of the ultimate warrior. This collection introduces the Metabaron’s bloodline and reveals the origins of their deep-seated principles. Find out the source of the family’s vast wealth, learn why every Metabaron has cybernetic implants, and why the only way to become the next Metabaron is for him to defeat his own father in a mortal combat. Follow each successive generation as it struggles to overcome the forces amassed against it in a galaxy corrupted by greed, power, and terror. A true classic in the pantheon of graphic storytelling and Science Fiction as a whole.
About the Author :
Alejandro Jodorowsky Prullansky (Spanish: [xoðo'?ofski]; born 17 February 1929) is a Chilean and French avant-garde filmmaker. Best known for his films El Topo (1970), The Holy Mountain (1973) and Santa Sangre (1989), Jodorowsky has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation".[1]
Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Dropping out of college, he became involved in theater and in particular mime, working as a clown before founding his own theater troupe, the Teatro Mimico, in 1947. Moving to Paris in the early 1950s, Jodorowsky studied traditional mime under Étienne Decroux, and put his miming skills to use in the silent film Les têtes interverties (1957), directed with Saul Gilbert and Ruth Michelly. From 1960 onwards he divided his time between Mexico City and Paris, where he co-founded Panic Movement, a surrealist performance art collective that staged violent and shocking theatrical events. In 1966 he created his first comic strip, Anibal 5, and in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.
His next film, the acid western El Topo (1970), became a hit on the midnight movie circuit in the United States, considered the first-ever midnight cult film, and garnered high praise from John Lennon, who convinced former Beatles manager Allen Klein to provide Jodorowsky with $1 million to finance his next film. The result was The Holy Mountain (1973), a surrealist exploration of western esotericism. Disagreements with Klein, however, led to both The Holy Mountain and El Topo failing to gain widespread distribution, although both became classics on the underground film circuit.[1] After a cancelled attempt at filming Frank Herbert's 1965 science fiction novel Dune, Jodorowsky produced five more films: the family film Tusk (1980); the surrealist horror Santa Sangre (1989); the failed blockbuster The Rainbow Thief (1990); and the first two films in a planned five-film autobiographical series The Dance of Reality (2013) and Endless Poetry (2016).
Jodorowsky is also a comic book writer, most notably penning the science fiction series The Incal throughout the 1980s, which has been described as having a claim to be "the best comic book" ever written.[2] Other comic books he has written include The Technopriests and Metabarons. Jodorowsky has also extensively written and lectured about his own spiritual system, which he calls "psychomagic" and "psychoshamanism", which borrows from alchemy, the tarot, Zen Buddhism and shamanism.[3] His son Cristóbal has followed his teachings on psychoshamanism; this work is captured in the feature documentary Quantum Men, directed by Carlos Serrano Azcona.[4]
Born November 26th, 1943 in Mendoza, Argentina.
Gimenez finished his high school education as an industrial design major and advanced his artistic education by attending the Academy of Fine Arts in Barcelona, Spain, where he studied drawing. For the next few years, he dedicated himself to the drawing of comic books, both back in his native Argentina with such publishers as Colomba and Record, as well as in Spain, contributing to magazines such as Zona 84, and Comix International. By this point, Gimenez had made quite a name for himself for his extremely detailed renditions of machinery, chiefly in the war and science fiction genres. His art further propelled him to international collaborations, and it was in 1979 that he was first published in France with a series of titles including “Leo Roa," which he also wrote. The following year, he participated, as a creative designer, on a segment of the film “Heavy Metal." For the next decade, he continued his work in comic book magazines, notably the French comics anthology Metal Hurlant and the Italian L'Eternauta.
The 1990s saw him strengthening his fan base as he was repetitively voted best artist by European audiences, a recognition that was mirrored in the festival and critical realms, with such awards as the Gaudi award at the Feria Internacional del Comics de Barcelone, in 1990. In 1992, he meets Alejandro Jodorowsky for the first time, and the two began work on “The Metabarons," a sci-fi saga of epic proportions in both art and story. It is to this day regarded as one of the true graphic novel classic of the genre and it continues successful sales around the world.
Gimenez currently maintains a consistent yet varied workload, lending his talents as illustrator to covers for CD albums and novels, as well as serving as a concept artist on video games, and motion pictures. He also remains in high demand as a graphic novel artist, collaborating with some of Europe's most acclaimed authors such as Carlos Trillo, Emilio Balcarce, and Roberto Dal Prà, when he is not writing his own stories as he successfully continues to do, as with “The Fourth Power" collection.
On April 2nd, 2020, he passed away in his home province of Mendoza, Argentina, from COVID-19 complications.
Web sites:+ http://www.juangimenez.com/
Review :
"What keeps me going back to “The Metabarons” is the immense volume and speed of its innovation. There is literally a new and mad idea on every page." - Warren Ellis, writer of “Transmetropolitan,” “Plan "The Metabarons’ is a magnum opus of unadorned emotion and one that will surprise you in its thoughtfulness and craft." - All-Comic.com "'The Metabaron' cycle (...) is, to my mind, the greatest work of graphic fiction ever produced." - David S. Goyer "...if you want an epic, brutal space opera with some hilarity throwing there between shocking events then pick up this book." - The Frog Queen
