The Chrysalids

THE COLD WAR SCI-FI CLASSIC: Following a global nuclear war, a telepathic young boy searches for freedom in a fundamentalist society. “One of the most thoughtful post-apocalypse novels ever written.” —David Mitchell, New York Times–bestselling author of Cloud Atlas The Chrysalids is set in the future after a devastating global nuclear war. David lives in a tight-knit community of religious and genetic fundamentalists, who exist in a state of constant alert for any deviation from what they perceive as the norm of God’s creation—deviations broadly classified as “offenses” and “blasphemies.” Offenses consist of plants and animals that are in any way unusual, and these are publicly burned to the accompaniment of the singing of hymns. Blasphemies are human beings—ones who show any sign of abnormality, however trivial. They are banished from human society, cast out to live in the wild country where, as the authorities say, nothing is reliable, and the devil does his work. David grows up surrounded by admonitions: KEEP PURE THE STOCK OF THE LORD; WATCH THOU FOR THE MUTANT. At first, he hardly questions them, though he is shocked when his sternly pious father and rigidly compliant mother force his aunt to forsake her baby. It is a while before he realizes that he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto-unimagined world of freedom. The Chrysalids is a perfectly conceived and constructed work from the classic era of science fiction. It is a Voltairean philosophical tale that has as much resonance in our own day, when genetic and religious fundamentalism are both on the march, as when it was written during the Cold War.

About the Author :
John Wyndham is the pen name of John Wyndham Parkes Lucas Beynon Harris (1903–1969), the son of an English barrister. The boy’s parents separated when he was eight, and after attending various boarding schools, he lived off family money while trying his hand—unsuccessfully—at careers such as law, commercial illustration, and advertising. In 1924 he turned to writing, and within a number of years he was selling short stories, mostly science fiction, to pulp magazines in America, as John Beynon or John Beynon Harris. During World War II, he served behind the lines in the British army, and in 1951 he published The Day of the Triffids, his first novel as John Wyndham, and a tremendous success. John Wyndham’s six other novels include The Kraken Wakes and The Midwich Cuckoos. Christopher Priest has published eleven novels, three short-story collections, and a number of other books, including critical works, biographies, novelizations, and children’s nonfiction. In 1996 Priest won the World Fantasy Award and the James Tait Black Memorial Prize for his novel The Prestige. His most recent novel, The Separation, won both the Arthur C. Clarke Award and the British Science Fiction Association Award.

Review :
“John Wyndham’s The Chrysalids anticipates and surpasses many of today’s dystopian thrillers . . . The Chrysalids explores intolerance and bigotry with satisfying complexity as it races toward an ending that is truly unpredictable.” —The Seattle Times “One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.” —David Mitchell “A remarkably tender story of a post-nuclear childhood . . . It has, of course, always seemed a classic to most of its three generations of readers . . . It has become part of a canon of good books.” —The Guardian “It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is . . . ” —Boston Globe “[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.” —The Observer (London) “Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb . . . Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.” —The Guardian (London) “Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers.” —Thicket Magazine “[A]bsolutely and completely brilliant . . . The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.” —The Ottawa Citizen “John Wyndham's novel . . . is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference—in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.” —The Scotsman “The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.” —SFReview.net