About the Book
Award-winning poet and Oxford Professor of Poetry, A. E. Stallings has marshaled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Her narrative encompasses the removal of the Marbles from the Athenian Acropolis, their various misadventures before and after installation in the British Museum, from shipwreck to boxing matches, and the debate over their future and possible reunion in Greece.
Bringing fresh air to a stale debate, Frieze Frame explores the effect the Marbles have had on poets, writers, painters, actors, architects, and vice versa—how poets and painters, for instance, have framed the Marbles’ place in art and culture. The poets Keats, Byron, and Cavafy, as well as an aristocrat who loses his nose and his fortune, a bad painter who commits suicide, and a general who takes his cat into battle, are among the cast of characters. In the author’s own words, “I am, to a certain extent, as interested in the strange stories and people surrounding the stones as the controversy [over their removal] and their fate.” Key for Stallings is the creative world of the Marbles, the ways that they appear in nineteenth (and twentieth) century writing and art, race theory and beyond, and the influence they have exerted in our society: cultural figures, maybe even characters, in their own right.
About the Author :
A. E. Stallings is an American poet, translator, and essayist who lives in Athens, Greece. She has published five collections of poetry: Archaic Smile (1999), Hapax (2006), Olives (2012), Like (2018), and a selected poems, This Afterlife (2022). Her verse translations include Lucretius's The Nature of Things and Hesiod's Works and Days, both with Penguin Classics, and a translation of the pseudo-Homeric The Battle Between the Frogs and the Mice (Paul Dry Books, 2019). In 2023, she was named the University of Oxford's 47th Professor of Poetry. She has been awarded a Guggenheim Fellowship, a MacArthur Foundation Fellowship, and has been a finalist for the Pulitzer Prize for Poetry and the National Book Critics Circle Award. Stallings is married to the journalist John Psaropoulos, and has two children.
Review :
"Frieze Frame is a lucidly brilliant, learned read that wears its learning lightly, inviting the reader into a coterie of artists and intellectuals, traced and uncovered with a poet's touch."
--Times Literary Supplement
"[A] compact, original book. . . . Whether they are shown in London or Athens, the Marbles will always be one of history's singular Rorschach tests. Keats saw beauty; Byron saw tragedy; in Frieze Frame, readers may see some version of themselves."
--Wall Street Journal
"Highly entertaining . . . The anecdotal style of Frieze Frame works wonderfully for a story driven by a few characters and their mad antics. It shows us that the debate around the Marbles has always been a strange projection of our own desires - from poets finding their own principles modelled in the friezes, to modern politicians using the controversy to score points. But no one tops Lord Elgin, whose desires were straight-forwardly decorative. Like a figure in Greek myth, he plundered the temple of Athena and sorely paid the price."
--The Spectator
"Stallings captures both the intense excitement the marbles caused in artistic and literary circles in England and also the sense of loss the site of the Parthenon represented for Greek writers of the 19th and 20th centuries. In placing imaginative responses to the marbles above arguments based on property rights, Stallings makes a powerful case for giving these masterpieces from 5th-century Athens a much-needed new lease of cultural life."
--Apollo magazine
PRAISE FOR A. E. STALLINGS' OTHER BOOKS:
"A.E. Stallings is that rare poet who can write in a traditional form (sonnets! sestinas!) without letting the form squeeze the life out of the poem. This Afterlife which selects from more than two decades of work, solidifies her virtuoso status. Much of the pleasure comes from her precise, imaginative eye."
―Washington Post on This Afterlife
"Stallings's work imagines the poet as an artisan, and her poems satisfy in the way a handblown glass bowl satisfies; they have heft and shape; they rest solidly in the palm."
―New York Times Book Review on This Afterlife
"[Stallings'] couplets . . . have a lively, nimble music that should captivate modern ears."
--Wall Street Journal on The Battle Between the Frogs and the Mice
"Stallings' translation of this ancient epic is a delight: charming, witty, and vividly alive, with buoyant rhymes and eye-catching illustrations."
--Madeline Miller, bestselling author of Circe on The Battle Between the Frogs and the Mice
"[Like] presents a diverse quiver of poems--arranged in alphabetical order--polished and sharpened by her typically innovative use of traditional verse forms, poised vocabulary, and a playful dexterous teasing-out of simile and metaphor."
--Los Angeles Review of Books on Like
