About the Book
It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal. For one little boy, however, life had become anything but "normal." To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled neatly in a leafy valley. They gave parties, hosted picnics, went to church just like their neighbors. To all appearances, their life seemed ideal. But it was, in fact, all appearances. Lineage, tradition, making the right impression these were matters of great importance, especially to the mother. But behind the facade this family had created lurked secrets so dark, so painful for this one little boy, that his life would never be the same. It is through the eyes of that boy a grown man now, revisiting that time that we see this seemingly serene world and watch as it slowly comes completely and irrevocably undone. Beautifully written, often humorous, sometimes sweet, ultimately shocking, this is a son's story of looking back with both love and anger at the parents who gave him life and then robbed him of it, who created his world and then destroyed it. As author Lee Smith, who knew this world and this family, observed, "Alcohol may be the real villain in this pain-permeated, exquisitely written memoir of childhood but it is also filled with absolutely dead-on social commentary of this very particular time and place. A brave, haunting, riveting book."
About the Author :
In addition to his most recent novel, The Fall of Princes, Robert Goolrick is the author of three other books: The End of the World as We Know It, a memoir; his first novel, A Reliable Wife, with sales of more than 1 million copies; and his second novel, Heading Out to Wonderful. He lives in Virginia.
Review :
"[An] unnerving, elegantly crafted memoir. . . . Morbidly funny."--Entertainment Weekly
"A gifted writer['s]...memorable account of his terribly flawed family. ...Searing...It stays with you."--USA Today
"Goolrick adeptly uses a slow, teasing way of revealing himself to the reader...Anecdotes of captivating vitality...."The End of the World As We Know It" is barbed and canny, with a sharp eye for the infliction of pain."--"The New York Times"
"In this brutally painful remembrance of hard drinking, attempted suicide, and childhood trauma, first-time author Goolrick constructs a well-written, nonlinear narrative of his life...Goolrick's memory of the details of his childhood is impressive, as is the deep sense of sorrow...the story evokes. A courageous and successful work."--"People"
" A devastating debut memoir about a Southern childhood. A simple summary of the storyline of this memoir might inspire an eye-roll: Do we really need another tale about someone growing up in a South of days-gone-by, surrounded by eccentric relatives and neighbors, with a little alcoholism and incest thrown in for good measure? But Goolrick takes that tired scenario and makes it magical. He recounts a Virginia childhood worthy of William Styron and Flannery O'Connor. The deformed weirdos, a staple of Southern grotesque, are here, including severely retarded aunt Dodo, who one day asked young Robert to kiss her passionately. Here, too, are cocktail parties that would have inspired Douglas Sirk: Goolrick describes the lavish fetes his parents threw, the lovely chiffon dresses his mother wore. But something was off-kilter, at even the grandest parties. The chiffon dresses always wound up with cigarette burns, and the hectic entertaining was artifice and pretense, a frantic effort to cover up alcoholism and other, more hideous, family secrets. The author interweaves scenes from his childhood with scenes from his adult life: his mother's attempt to get dry, his own breakdown and drinking problem, his mother's death. One of the most gripping and emotionally insightful passages is of his father's funeral, where Goolrick makes clear how hard it is to bury a man you haven't forgiven. The language is lush and poetic while never becoming purple. Goolrick is clearly a victim of his parents' brutal abuse, but he has broken out of the categories of 'victim' and 'survivor' to become a powerful truth-teller."
"A moving, unflinchingly rendered story of how the past can haunt a life."
--Publishers Weekly
"A devastating debut memoir about a Southern childhood. A simple summary of the storyline of this memoir might inspire an eye-roll: Do we really need another tale about someone growing up in a South of days-gone-by, surrounded by eccentric relatives and neighbors, with a little alcoholism and incest thrown in for good measure? But Goolrick takes that tired scenario and makes it magical. He recounts a Virginia childhood worthy of William Styron and Flannery O'Connor. The deformed weirdos, a staple of Southern grotesque, are here, including severely retarded aunt Dodo, who one day asked young Robert to kiss her passionately. Here, too, are cocktail parties that would have inspired Douglas Sirk: Goolrick describes the lavish fetes his parents threw, the lovely chiffon dresses his mother wore. But something was off-kilter, at even the grandest parties. The chiffon dresses always wound up with cigarette burns, and the hectic entertaining was artifice and pretense, a frantic effort to cover up alcoholism and other, more hideous, family secrets. The author interweaves scenes from his childhood with scenes from his adult life: his mother's attempt to get dry, his own breakdown and drinking problem, his mother's death. One of the most gripping and emotionally insightful passages is of his father's funeral, where Goolrick makes clear how hard it is to bury a man you haven't forgiven. The language is lush and poetic while never becoming purple. Goolrick is clearly a victim of his parents' brutal abuse, but he has broken out of the categories of 'victim' and 'survivor' to become a powerful truth-teller."
--"Kirkus Reviews," starred review
" A moving, unflinchingly rendered story of how the past can haunt a life."
-- Publishers Weekly
