How I Learned to Drive

"As I try to come to grips with the lack of control I have in terms of my own visibility and commercial success within the American Theater, I remain convinced that I have control in terms of how I see my identity. How I Learned to Drive gave me that gift. It felt as if the play was rewriting me, and I will always remember the sensation of lightness I had in the middle of the night as I wrote it. This is the gift of theater and of writing: a transubstantiation of pain and secrecy into light, into community, into understanding if not acceptance." - Paula Vogel, from her Preface Winner of the Pulitzer Prize for Drama, Paula Vogel's How I Learned to Drive is widely recognized as a masterpiece of contemporary drama. It is published here for the first time as a stand-alone edition. Paula Vogel is the author of Indecent, The Baltimore Waltz, The Long Christmas Ride Home, Don Juan Comes Home from Iraq and A Civil War Christmas, among many other plays. She has held a distinguished career as a teacher and mentor to young playwrights, first at Brown University and then at the Yale School of Drama.

About the Author :
Paula Vogel is an American playwright and university professor. She received the 1998 Pulitzer Prize for Drama for her play How I Learned to Drive and the Award for Literature from The American Academy of Arts and Letters in 2004. Vogel was Chair of the playwriting department at the Yale School of Drama.

Review :
'With subtle humor and teasing erotic encounters, Vogel addresses the dangerous intersections of teenage temptation. She also paints a richly poetic and picturesque landscape… The play is a potent and convincing comment on a taboo subject, and its impact sneaks up on its audience.' 'The play is steeped in a gentle lyricism we associate with nostalgic portraits of American youth. The tone, the setting, the characters seem at first so familiar, so, well, normal, that it’s only by degrees that we sense the poison within the pastels. By then we feel both locked into, and complicit with, this portrait of a warping relationship. That’s the art of Drive.' 'One of the best plays of the decade' 'How I Learned to Drive is a tremendous achievement, genuine and genuinely disturbing… This is, quite simply, the sweetest and most forgiving play ever written about child abuse… Vogel’s delicate tactic makes sense not only as a way to redouble the dramatic effect, but as a representation of reality, a perfect case of the form fitting the subject.'