Robert Louis Stevenson (Annotated)

"IN this brief study of Stevenson I propose to follow a somewhat unusual course; or to sketch what may be considered a rather eccentric outline. It can only be justified in practice; and I have a healthy fear that my practice will not justify it. Nevertheless, I have not adopted it without considerable thought, and even doubt, about the best way of dealing with a real and practical problem. So before it collapses completely in practice, I will give myself the triumph and the joy of justifying it in principle. The difficulty arises thus. In the great days of Stevenson critics had begun to be ashamed of being critics, and of giving to their ancient function the name of criticism. It was the fashion to publish a book that was a bundle of reviews and to call it "Appreciations." But the world advances; and if that sort of book is published now, it might well bear the general title of "Depreciations." Stevenson has suffered more than most from this new fashion of minimising and finding fault; and some energetic and successful writers have thrown themselves into the business almost with the eagerness of stockbrokers, bent on making a slump instead of a boom in Stevenson Stock. It may be questioned whether we need welcome the bear any more than the bull in the china-shop of elegant English letters. Others seem to make quite a hobby of proving a particular writer to be overrated. They write long and laborious articles, full of biographical detail and bitter commentary, in order to show that the subject is unworthy of attention; and write pages upon Stevenson to prove that he is not worth writing about. Neither their motives nor their methods are very clear or satisfactory. If it be true that all swans are geese to the discriminating eye of the scientific ornithologist, it hardly suffices to explain so long or so fatiguing a wild-goose chase." G. K. Chesterton

About the Author :
Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist. Chesterton is often referred to as the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.