Darling Clementine

Darling Clementine is the story of Samantha, a poetess determined to transform her sex life into a meditation: a pathway to enlightenment. Along for the ride is her brand new husband, Arthur Clementine, a wealthy, calm, but crypto-zany assistant district attorney for New York County. The novel begins with their meeting and works its way backward and forward. In the past, a series of darkening love affairs lead Sam to a suicide attempt and a breakdown. Now, Samantha works on a suicide hotline and uses her marriage in a search for radical sanity, a sort of road show of Love's Body. Along the way, she reconciles polymorphous perversity with housework; tries to talk one of William Blake's deities out of killing himself--or someone else; and watches, with everyone else, as the world moves toward the ever popular brink of destruction. Darling Clementine is an effervescent combination of Henry Miller and P. G. Woodhouse, in a character as daffy and enchanting as Truman Capote's Holly Golightly was in Breakfast at Tiffany's.

About the Author :
Andrew Klavan (b. 1954) is a highly successful author of thrillers and hard-boiled mysteries. Born in New York City, Klavan was raised on Long Island and attended college at the University of California at Berkeley. He published his first novel, Face of the Earth, in 1977, and continued writing mysteries throughout the eighties, finding critical recognition when The Rain (1988) won an Edgar Award for best new paperback. Besides his crime fiction, Klavan has distinguished himself as an author of supernatural thrillers, most notably Don't Say a Word (1991), which was made into a film starring Michael Douglas. He has two ongoing series: Weiss and Bishop, a private-eye duo who made their debut in Dynamite Road (2003), and The Homelanders, a young-adult series about teenagers who fight radical Islam. Besides his fiction, Klavan writes regular opinion pieces for the New York Times, the Wall Street Journal, and other national publications. He lives in Southern California.

Review :
"In this short, ironically humorous novel told in the first person, Klavan (Face of the Earth) skillfully depicts poet Samantha Bradford, who must grapple with her troubled past before looking ahead to the future. . . . The narrative frequently seems every bit as unfocused and rambling as Samantha's own life, but Klavan's characterizations of his protagonist and her spouse are memorable; they are vulnerable, tender and wonderfully open about their emotions and aspirations." --Publishers Weekly