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Home > Art, Film & Photography > Art treatments & subjects > History of art > Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall(77 Studies in Medieval and Early Modern Culture)
Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall(77 Studies in Medieval and Early Modern Culture)

Space, Image, and Reform in Early Modern Art: The Influence of Marcia Hall(77 Studies in Medieval and Early Modern Culture)


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About the Book

The essays in Space, Image and Reform in Early Modern Art build on Marcia Hall's seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece's facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries.

Table of Contents:
Foreword by Alexander Nagel Space, Image and Reform in Early Modern Art List of Illustrations Introduction by Ian Verstegen and Arthur J. DiFuria, with Tracy Cooper Part 1: Historiography and Methods Chapter 1: Raphael’s Bankers: Agostino Chigi, Bindo Altoviti, and Jakob Fugger by Ingrid Rowland Chapter 2: Surpassing Nature: Raphael’s Artistic Apotheosis by Tamara Smithers Chapter 3: In the Sistine Chapel with Marcia and Leo by Ian Verstegen Chapter 4: What Becomes a Legend: Correggio at the Crossroads of Biography and Style by Maureen Pelta Part 2: Space Chapter 5: The Rediscovered Iconography of Palazzo Milesi’s Façade by Polidoro da Caravaggio, Plutarch’s Parallel Lives, and a New Drawing by Costanza Barbieri Chapter 6: San Giacomo degli Spagnoli in Rome on the Forefront of Reform: Remodeling the East End in the 1550s and 1560s by Rose Marie May Chapter 7: Religious Reform, Sacred Space, and Bad Behavior in Late Sixteenth-Century Orsanmichele by Joanne Allen Part 3: Image Chapter 8: Matter and Meaning in Piero della Francesca’s Legend of the True Cross by Sarah K. Kozlowski Chapter 9: The Netherlandish Relief-like Style in the Age of Art by Arthur J. DiFuria Chapter 10: Mannerism’s Masks by Stuart Lingo Part 4: Reform Chapter 11: Order and the Anagogic Approach of the Mind to God: On the Philosophers in Raphael’s Disputa by Jonathan Kline Chapter 12: Painting the Invisible God at Sinai by Larry Silver Chapter 13: A Question of Faith: “Making Strange” in Caravaggio’s Calling of Saint Matthew by Anne H. Muraoka Part 5: Back Matter A Bibliography of Marcia Hall’s Works Notes on Contributors Index

About the Author :
Arthur J. DiFuria is Chair of Art History at Savannah College of Art and Design. He is the editor of Genre Imagery in Early Modern Northern Europe: New Perspectives (2016) and Heemskerck’s Rome: Antiquity, Memory, and the Netherlandish Cult of Ruins (forthcoming). Ian Verstegen is Associate Director of Visual Studies at the University of Pennsylvania. He is the author of Federico Barocci and the Oratorians: Corporate Patronage and Style in the Counter-Reformation (2015).


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Product Details
  • ISBN-13: 9781501518010
  • Publisher: De Gruyter
  • Publisher Imprint: De Gruyter Mouton
  • Edition: New edition
  • Language: English
  • Returnable: Y
  • Sub Title: The Influence of Marcia Hall
  • Width: 156 mm
  • ISBN-10: 1501518011
  • Publisher Date: 08 Nov 2021
  • Binding: Hardback
  • Height: 234 mm
  • No of Pages: 344
  • Series Title: 77 Studies in Medieval and Early Modern Culture
  • Weight: 807 gr


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