Blackstar Theory: The Last Works of David Bowie(Ex:Centrics)

Blackstar Theory takes a close look at David Bowie’s ambitious last works: his surprise ‘comeback’ project The Next Day (2013), the off-Broadway musical Lazarus (2015) and the album that preceded the artist’s death in 2016 by two days, Blackstar. The book explores the swirl of themes that orbit and entangle these projects from a starting point in musical analysis and features new interviews with key collaborators from the period: producer Tony Visconti, graphic designer Jonathan Barnbrook, musical director Henry Hey, saxophonist Donny McCaslin and assistant sound engineer Erin Tonkon. These works tackle the biggest of ideas: identity, creativity, chaos, transience and immortality. They enact a process of individuation for the Bowie meta-persona and invite us to consider what happens when a star dies. In our universe, dying stars do not disappear - they transform into new stellar objects, remnants and gravitational forces. The radical potential of the Blackstar is demonstrated in the rock star supernova that creates a singularity resulting in cultural iconicity. It is how a man approaching his own death can create art that illuminates the immortal potential of all matter in the known universe.

Table of Contents:
List of musical figures List of track analyses Preface Part 1: Last Act 1. Lateness 2. Remystification 3.The Next Day 4. Assemblage Part 2: Per Ardua ad Astra 5. Icarus Takes His Pratfall 6. Lazarus 7. The Next Bardo Part 3: Black Star 8. Black Holes, Black Music, Black Arts, Black Hearts and Button Eyes 9. Chaos and Chemistry 10. Prodigal Sons 11. Blackstar Theory Epilogue: Legacies and Voids Reference list and bibliography Index

About the Author :
Leah Kardos is a senior lecturer in music at Kingston University London, UK, where she co-founded the Visconti Studio with music producer Tony Visconti. She specializes in the areas of record production, pop aesthetics and criticism, and exploring interdisciplinary approaches to creative practice.

Review :
The lively complexity of Blackstar Theory is a fine match for Bowie – a sparkling, timely invitation to reimmerse oneself in the density of his final works, even if the shock of grief remains palpable. This is the Bowie book that many of us DB fans have been waiting for Blackstar Theory: The Last Works of David Bowie is a bravura performance by Leah Kardos, a sonata of glorious prose, amazing research, and academic erudition. ... I recommend it to any serious fan of David’s, well actually, I recommend it to any serious fan of music, full stop. Go out and buy it now! Kardos elegantly sidesteps speculation about Bowie’s personal life in his final years, focusing instead on the work, taking in nods to Morrissey, Elvis Presley, Peaky Blinders and “the lust for life against the finality of everything”. Someone recently said there will never be a definitive book on Bowie and I would probably have agreed. But now that I’ve read this book I’m not so sure. This is as good as it gets. This is a clever, entertaining and informative book ... It is thoughtful, wide-ranging and well-researched. In fact, it’s simply one of the best books about Bowie. Leah Kardos deftly uncovers the patterns in David Bowie’s “late style,” seeing the mortality, morality, and self-consciousness hiding in plain sight. While musicological analysis is at the heart of her endeavor, she is nevertheless attuned to the places in his epic career where there are fissures and unexpected correspondences with other forms of art. Blackstar Theory is a feast for any Bowie fan—rabid or casual—and performs the closure that many of us were seeking. A welcome addition to the growing canon of Bowie studies. This is one of the most intelligent studies of David Bowie’s music that will ever be published. It illuminates the interconnected web of meanings that are discoverable in his work in ways I have never encountered before. Leah Kardos shows with genuine illumination that the music of the late Bowie tackles big ideas such as the nature of identity, creativity, chaos, transience and im/mortality and provides us with signposts that take us back to the very start of his extraordinary life and musical career. The book is a major achievement. A star-gazing telescope of sorts, Blackstar Theory provides an illuminating view of the last great works of a dying star. Intimately connected to the music and art of David Bowie, Leah Kardos elegantly crafts a respectful conduit for readers to share in her examination of the meanings generated by Bowie’s work. As an in-depth scholarly guide and probing navigational tool, Blackstar Theory is a must-read for anyone wishing to engage with the constellation of meanings generated by Bowie’s late music and art. Leah Kardos’s book is a lovely theoretical company. She notes how music is only a small part of a huge cycle that leads us on to other music, to art and literature via fashion, film, philosophy and form and back to the work in question.