Interviews from the Edge: 50 Years of Conversations about Writing and Resistance

Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century. From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them—for writers and readers alike. “I think it’s frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe.” – Christopher Isherwood “Most American writers probably do not think of their writing as a kind of activism. And it shouldn’t have to be—I don’t think we can impose that on writers—but it can be. I think for many writers, the ones I admire—it is.” – Viet Thanh Nguyen “Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there’s something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?” – Sister Helen Prejean “The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I’d be crippled. Somebody else said to me a long time ago in France, ‘Find out what you can do, and then don’t do it.’” – James Baldwin “As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities.” – Valerie Martin

Table of Contents:
Introduction Mark Yakich (New Orleans Review Editor, 2012-present) and John Biguenet (New Orleans Review Editor, 1980-1992) The Interviews Ernest Gaines (1969) (Interviewed by Gregory Fitz Gerald and Peter Marchant) Joseph Heller (1971) (Interviewed by Alexis Gonzalez and John Mosier) Christopher Isherwood (1975) (Interviewed by Sarah Smith and Marcus Smith) Anaïs Nin (1976) (Interviewed by Jeffrey Bailey) Lina Wertmüller (1976) (Interviewed by Ernest Ferlita, S.J. and John Navone, S.J.) Bertrand Tavernier (1978) (Interviewed by John Mosier) Eudora Welty (1978) (Interviewed by Jeanne Rolfe Nostrandt) James Tate (1980) (Interviewed by Joe David Bellamy) Jorge Luis Borges (1982) (Interviewed by John Biguenet and Tom Whalen) Catharine Stimpson (1984) (Interviewed by Mark Lussier and Peggy McCormack) Carolyn Heilbrun (1985) (Interviewed by Mark Lussier and Peggy McCormack) Armando Valladares (1985) (Interviewed by William Marling) James Baldwin (1986) (Interviewed by David C. Estes) John Ashbery (1990) (Interviewed by Paul Munn) Valerie Martin (1994) (Interviewed by Mary A. McCay and Christine Wiltz) Jack Gilbert (1996) (Interviewed by Ralph Adamo and John Biguenet) Sheila Heti (2013) (Interviewed by Ari Braverman) Susan Bernofsky (2013) (Interviewed by Clark Allen) Francine Prose (2014) (Interviewed by Ari Braverman) Harold Jaffe (2014) (Interviewed by Robin Andreasen) Yuri Herrera (2018) (Interviewed by Elizabeth Sulis Kim) Viet Thanh Nguyen (2018) (Interviewed by Elizabeth Sulis Kim) Luisa Valenzuela (2018) (Interviewed by Elizabeth Sulis Kim) Sister Helen Prejean (2018) (Interviewed by Mark Yakich) Acknowledgments Index

About the Author :
Mark Yakich is the Gregory F. Curtin, S.J., Distinguished Professor of English at Loyola University New Orleans, where he has been editor of New Orleans Review since 2012. John Biguenet is the Robert Hunter Distinguished University Professor at Loyola University New Orleans. He worked as a student intern on the first issue of New Orleans Review in 1968 and edited the magazine from 1980 to 1992.

Review :
An anthology that examines both the art of literature and the social issues of the last 50 years. Focus[ing] on both the subjects' artistic output and personal engagement with racism, sexism, capital punishment . . . [t]hese unusually candid conversations with authors . . . offer perspectives on aesthetics and the realities of resistance that will appeal to a range of writers and readers. A fascinating half century of conversations with some of the most influential writers of the last hundred years . . . a brilliant work of depth and scope. Writers of all genres will be inspired by discussions with twenty-four authors and activists . . . who share their unique perspectives on a wide range of topics covering the aesthetic and social aspects of writing.