In Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, theatre, cinema, and the circus under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor untheorized. The author sheds light on the texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history and film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art.
Table of Contents:
List of Illustrations
Transliteration, Translations, Dates
Acknowledgments
Introduction: Devastation and Laughter
1: Anatoly Lunacharsky and the Power of Laughter
2: Soviet Satirical Print Culture, a Serious Affair
3: Laughter in the Ring, in the Street and on Stage: The Emergence of a "Satirical Scene"
4: Laughter on the Silver Screen: From Satire to Optimistic Comedy
5: The Strategies and Targets of Satire
6: The Rhetorics of Satire and Socialist Realism
Conclusion
Appendix: "On Laughter" (1931)
Notes
Bibliography
Index
About the Author :
Annie Gérin is a professor in the Department of Art History at the Université du Québec à Montréal.
Review :
"Gérin's work is theoretically informed but not overburdened, her focus being cultural history and close reading of visual materials. It is in the selection and dissection of such print materials as posters and journals that Gérin truly excels."
- Tom Haxhi, Department of Slavic Languages, Columbia University (Canadian Slavonic Papers, vol 61 no 3) "Deploying both contemporary and historical theories of the comic, Gérin makes a persuasive case for the continuity of Russian humor culture through the centuries."
- Maya Vinokour, Department of Russian and Slavic Studies, New York University (Slavic Review) "Gérin reveals that the Bolsheviks understood theories of laughter and sought to shape it for their own purposes. Satire and its laughter, they believed, could destroy the old bourgeois attitudes needed to create new people."
- Stephen M. Norris, Department of History, Miami University (American Historical Review) "Gérin's book, thoroughly researched, convincingly argued, and lavishly illustrated, sharpens the appetite for more discussions on satire and on caricature, as much from the early Soviet era as from the years of the Cold War and perestroika."
- Katarzyna Murawska-Muthesius, Birkbeck College, University of London (H-SHERA) "Gérin's book tackles many interesting issues that can inspire future humour-related research across a variety of disciplines."
- Anastasiya Fiadotava, University of Tartu (European Journal of Humour Research ) "Carefully documented, Gerin's book provides a very precious contribution on Soviet visual humour."
- Ada Ackerman, THALIN/CNRS (RACAR) "A valuable resource for teachers of Russian culture and students interested in the Soviet arts."
- Olga Velikanova, University of North Texas (Kritika)
