Sharing the Past: The Reinvention of History in Canadian Poetry Since 1960

Sharing the Past is an unprecedentedly detailed account of the intertwining discourses of Canadian history and creative literature. When social history emerged as its own field of study in the 1960s, it promised new stories that would bring readers away from the elite writing of academics and closer to the everyday experiences of people. Yet, the academy’s continued emphasis on professional distance and objectivity made it difficult for historians to connect with the experiences of those about whom they wrote, and those same emphases made it all but impossible for non-academic experts to be institutionally recognized as historians. Drawing on interviews and new archival materials to construct a history of Canadian poetry written since 1960, Sharing the Past argues that the project of social history has achieved its fullest expression in lyric poetry, a genre in which personal experiences anchor history. Developing this genre since 1960, Canadian poets have provided an inclusive model for a truly social history that indiscriminately shares the right to speak authoritatively of the past.

Table of Contents:
Acknowledgements Abbreviations Introduction Al Purdy’s Modern Skepticism Developing a Lyric Historiography Lyric and Regionalism: Challenging Histories Part 1 The Métis Uprisings: Challenging Histories Part 2 Inheriting the Past The "Edge of the Photograph": Developmental Long Poems Sharing Authority Figurative Families and Feminism Indigeneity and Performance: The Fictions of Nations The Future of History Notes Works Cited Index

About the Author :
J.A. Weingarten is a professor in the School of Language and Liberal Studies at Fanshawe College.

Review :
"Weingarten has made a strong contribution, looking at texts and contexts, provoking thought, calling attention to poets who warrant further work, and opening up more light and space in the fragility of time. Aristotle and then Horace appealed to understanding and learning (and specifically poetry) as a delight. I can say that the poets Weingarten discusses do that more often than not and so, too, does Weingarten himself." - Jonathan Locke Hart (American Review of Canadian Studies) "Weingarten’s commendable research and polemical appeal will cause literary critics to reassess their impression of post-1960s lyric poetry, and may even cause contemporary poets to re-examine and re-evaluate the role of history in their own poetry." - Stephen Cain, York University (The Canadian Historical Review)