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Home > Society and Social Sciences > Society and culture: general > Cultural and media studies > Media studies > Gestures of Concern: (A Cultural Politics Book)
Gestures of Concern: (A Cultural Politics Book)

Gestures of Concern: (A Cultural Politics Book)


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About the Book

In Gestures of Concern Chris Ingraham shows that while gestures such as sending a "Get Well" card may not be instrumentally effective, they do exert an intrinsically affective force on a field of social relations. From liking, sharing, posting, or swiping to watching a TED Talk or wearing an "I Voted" sticker, such gestures operate as much through affective registers as they do through overt symbolic action. Ingraham demonstrates that gestures of concern are central to establishing the necessary conditions for larger social or political change because they give the everyday aesthetic and rhetorical practices of public life the capacity to attain some socially legible momentum. Rather than supporting the notion that vociferous public communication is the best means for political and social change, Ingraham advances the idea that concerned gestures can help to build the affective communities that orient us to one another with an imaginable future in mind. Ultimately, he shows how acts that many may consider trivial or banal are integral to establishing those background conditions capable of fostering more inclusive social or political change.

Table of Contents:
Acknowledgments  vii Introduction. The Shape We're In  1 1. Idiot Winds  23 2. Stickiness  51 3. Democratizing Creativity, Curating Culture  78 4. Citizen Artists, Citizen Critics  108 5. Uncommonwealth  133 6. Affective Commonwealths  161 Epilogue. The Poet and the Anthropocene  187 Notes  197 Bibliography  225 Index

About the Author :
Chris Ingraham is Assistant Professor of Communication at the University of Utah and coeditor of LEGOfied: Building Blocks as Media.

Review :
“Chris Ingraham is a lively and engaging writer. While crafting beautiful prose he exhibits remarkable patience with trivial-often ephemeral-objects. Thus, he gives us ample opportunity to appreciate their public relevance and the role they play in helping to constitute public life in the internet age. And all of this he draws under the aegis of ‘gestures of concern’-a gem of a concept that makes a significant contribution to rhetoric, political theory, and public sphere theory.” - Ted Striphas, author of (The Late Age of Print: Everyday Book Culture from Consumerism to Control) “Laying out precisely why gestures of concern are significant and reminding us that there are never any empty gestures, Chris Ingraham offers a timely response to a certain reductive political discourse that sees meaning only in terms of representation. This book is a real pleasure to read.” - Jenny Rice, author of (Distant Publics: Development Rhetoric and the Subject of Crisis) “Ingraham’s wide-ranging engagement with rhetoric, artistic production, political engagement, and participatory culture makes his book of interest to those readers attracted to an interdisciplinary approach to cultural studies.” - Nicole Dib (Lateral) “[The] unfinished, uncertain, future-oriented dimension of the gesture is one of the key ideas in [Gestures of Concern], and it will help scholars in a number of fields push beyond critical practices that are too certain of themselves.” - Jim Brown (Rhetoric Society Quarterly) “Ingraham’s book is a timely investigation. In a period in which we are inundated by information and noise, he hopes to turn our attention to the quieter participatory acts ordinary people perform.... This work is an insightful look at the power of our concern.” - Ashleigh Angus (Continuum)


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Product Details
  • ISBN-13: 9781478009511
  • Publisher: Duke University Press
  • Publisher Imprint: Duke University Press
  • Height: 229 mm
  • No of Pages: 264
  • Series Title: A Cultural Politics Book
  • Width: 152 mm
  • ISBN-10: 1478009519
  • Publisher Date: 28 Aug 2020
  • Binding: Paperback
  • Language: English
  • No of Pages: 264
  • Weight: 444 gr


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