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Home > Art, Film & Photography > A Handbook to the Gallery of British Paintings in the Art Treasures Exhibition, a Repr. of Notices Orig. Publ. in 'The Manchester Guardian'.
A Handbook to the Gallery of British Paintings in the Art Treasures Exhibition, a Repr. of Notices Orig. Publ. in 'The Manchester Guardian'.

A Handbook to the Gallery of British Paintings in the Art Treasures Exhibition, a Repr. of Notices Orig. Publ. in 'The Manchester Guardian'.


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About the Book

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1857. Not illustrated. Excerpt: ... This " divine lady," as Romney called her, took full possession of the susceptible heart of the painter, and, for a time, reduced him to be the mere Tenderer of her face, form, and attitudes in all his ideal pictures. "When Romney left Westmoreland as an adventurer in the rough ways of art, 'in 1762, he left a wife behind him, whom all we know of her leads us to believe an excellent and a loving woman. From 1762 till 1799, that wife never saw her brilliant and successful husband, except for two short visits, till in the latter year he came back, a sad and stricken man, to die in her arms. She, to the eternal honour of her sex be it told, welcomed him as warmly, and tended him as lovingly, as if he had been the most constant and faithful of husbands. Romney was another of the artists employed on Boydell's Shakspere. Lord Thurlow (whose representative contributes " Serena" to the collection) declared that such work was quite out of the painter's way; that he would make but a " balderdash business of it." He only painted two pictures for the alderman; one from "The Tempest," the other the " Infant Shakspere attended by the Passions." "We only know the latter work, and feel rather inclined to agree with Lord Thurlow. Northcote, the pupil and biographer of Reynolds, is here represented in his two capacities of historical and portrait painter. These branches of art were very generally pursued together by the painters of the last century. The reason was, no doubt, that portrait painting was, at that time, the only form in which modern art could rely on finding patrons. What is called by the French genre painting, a name which we have adopted for want of an equivalent English term, and which includes all representation of life in its unheroic forms, did not exist among u...


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Product Details
  • ISBN-13: 9781458802286
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 100
  • Spine Width: 3 mm
  • Width: 189 mm
  • ISBN-10: 1458802280
  • Publisher Date: 01 Jan 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 104 gr


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