The Common Reader: Volume 1

Discover Virginia Woolf’s informative and erudite critical essays on some of the key novelists and dramatists of the canon – from the ancient Greeks to Jane Austen and beyond. Virginia Woolf read, and wrote, as an outsider, denied the educational privileges of her male contemporaries. She was perhaps better able, then, to address a 'common reader' in this wide-ranging collection of essays. With all the imagination and gaiety that are the stamp of her genius, she turns from medieval England to tsarist Russia, and subjects Elizabethan playwrights, Victorian novelists and modern essayists to her wise, acute and entertaining scrutiny. Essays on Jane Austen, George Eliot, Nancy Mitford, Joseph Conrad, Michel de Montaigne, Daniel Defoe and many others.

About the Author :
Virginia Woolf was born in London in 1882. After her father's death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of ‘The Bloomsbury Group’. This informal collective of artists and writers exerted a powerful influence over early twentieth-century British culture. In 1912 Virginia married Leonard Woolf, a writer and social reformer. Three years later, her first novel The Voyage Out was published, followed by Night and Day (1919) and Jacob's Room (1922). Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography. On 28 March 1941, a few months before the publication of her final novel, Between the Acts, Virginia Woolf committed suicide.

Review :
"Virginia Woolf was a great writer. Her voice is distinctive; her style is her own; her work is an active influence on other writers and a subtle influence on what we have come to expect from modern literature" -- Jeanette Winterson "Virginia Woolf was one of the great innovators of that decade of literary Modernism, the 1920s. Novels such as Mrs Dalloway and To the Lighthouse showed how experimental writing could reshape our sense of ordinary life. Taking unremarkable materials - preparations for a genteel party, a day on a bourgeois family holiday - they trace the flow of associations and ideas that we call "consciousness" Guardian "Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition" New York Times