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Home > Literature: history and criticism > Literary studies: fiction, novelists and prose writers > Dostoevsky: Language, Faith and Fiction
Dostoevsky: Language, Faith and Fiction

Dostoevsky: Language, Faith and Fiction


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About the Book

The current rash of books hostile to religious faith will one day be an interesting subject for some sociological analysis.
But to counter such work, is a book of the profoundest kind about the nature and purpose of religious belief. Terrorism, child abuse, absent fathers and the fragmentation of the family, the secularisation and the sexualisation of culture, the future of liberal democracy, the clash of cultures and the nature of national identity - so many of the anxieties that we think of as being quintessentially features of the early twenty first century and on, are present in the work of Dostoevsky - in his letters, his journalism and above all in his fiction.

The world we inhabit as readers of his novels is one in which the question of what human beings owe to each other is left painfully and shockingly open and there is no place to stand from which we can construct a clear moral landscape. But the novels of Dostoevsky continually press home what else might be possible if we - characters and readers - saw the world in another light, the light provided by faith. In order to respond to such a challenge the novels invite us to imagine precisely those extremes of failure, suffering and desolation. There is an unresolved tension in Dostoevsky's novels- a tension between believing and not believing in the existence of God. In The Brothers Karamazov, we can all receive Ivan with a terrible kind of delight. Ivan's picture of himself we immediately recognise as self-portrait. The god that is dead for him is dead for us. This Karamazov God of tension and terror is often the only one we are able to find. This extraordinary book will speak to our generation like few others.

Table of Contents:
Preface


Introduction


1. Christ Against the Truth


2. Devils


3. The Last Word? Dialogue and Recognition


4. Exchanging Crosses


5. Sacrilege and Revelation:Thje Broken Image


Conclusion


Bibliography

About the Author :
Rowan Williams is a former Archbishop of Canterbury and was until 2020 Master of Magdalene College at the University of Cambridge. He is the author of many books, including Looking East in Winter, Holy Living, and The Edge of Words, published by Bloomsbury Continuum. He lives in Cardiff and continues to broadcast, preach and lecture internationally. In 2022, he gave the second of the BBC’s centenary Reith Lectures. He is contributing writer to The New Statesman.

Review :
BBC Radio 3 Literary Proms: Archbishop on Dostoevsky [for a transcript please see 'published reviews' folder on macshare] "...a real feeling for literary narrative... a profound and thought provoking book" Salley Vickers, The Times, September 2008 "There are some splendid reflections in this study on the affinities between faith and literary form ... Dostoevsky reveals the kind of exquisite subtelty of insight we have come to expect from this poet-philosopher." The Tablet Title mention in London Review of Books, November 2008 "Rowan Williams' fascinating book intermittently achieves what the best literary criticism strives for - smart readings of challenging works that simultaneously find ways to shed some light on some urgent problems of our time" Times Higher Education Supplement, November 2008 "Wild Ecstasy, people having fits, sons murdering fathers, prostitutes converting psychopaths to Christ-this is the world of Dostoevsky, and you can see why the Archbishop finds it a refreshing change from the current Liliputian crises in the Church" Mary Miers, Country Life, November 2008  "The Archbishop of Canterbury has written a book on Dostoevsky which illuminates the real operations of religion in human minds.... We need a guide who combines the gifts of a literary critic and a trained theologian to work out how far the novels of Dostoevsky can be used as vehicles for such explorations. We also need a guide who is deeply versed in the ethos and spiritual traditions of the Russian Orthodox Church to place Dostoevsky, and the tormented exchanges of his characters, within some intelligible historical framework. Luckily the Archbishop of Canterbury combines all these qualities, and more" A. N. Wilson, Times Literary Supplement "Williams takes into account a vast range of critical writing on his subject as well as the work of theologians and philosophers... Anyone who studies this book carefully and is not familiar with Dostoevsky's novels, is likey to go away with a desire to read them" Paul Richardson, Church of England Newspaper, October 2008 "Rowan Williams is an excellent literary critic. He makes you want to read, or reread, everything that Dostoevsky wrote. The books that he describes are spacious enough to contain a whole world, and beautiful enough to serve as icons that illuminate ours" Andrew Brown, The Guardian, September 2008 "There is an engagement with contemporary literature which is hard to find in any other public figure... He speaks knowledgeably and and appreciatively" The Daily Telegraph,  September 2008 "Although Rowan Willaims is very modest about hsi credentials in writing an important book on Dostoevsky, it is difficult to think of anyone who is better qualified... a remarkable contribution to understanding not just Dostoevsky, but what it might involve to be a religious believer in the world today" Richard Harries, Church Times, October 2008 "His discussion of icons is a wonderful fusion of literary criticism and theological exposition, which makes more sense of the Christian understanding of the incarnation than almost anything I have ever read on the subject" Andrew Brown, The Guardian, September 2008 "Williams writes superbly, every sentence counts, he can express just what he wants to say with eloquent precision and conviction. Not only those interested in Dostoevskii's Christianity will find much enrichment for their thoughts but, given its centrality to his fiction, this book will be indispensable for anyone seriously interested in Dostoevskii. Williams has gone very deeply into Dostoevskii's art and has illuminated, as few have, its Christocentric heart." The Slavonic and East European Review, 87.4, October 2009 Archbishop Rowan Williams reviews Absence of Mind in The Telegraph 28th May, with a puff for Dostoevsky at the end of the review. 'The archbishop's book is an absorbing critical account of Dostoevsky's work which uses his real understanding of how Christian ideas shaped Dostoevsky's world and people. He is particularly good on the devil' AS Byatt in The Guardian, 17th July "Permeated by Williams's distinctive vocabulary... [this book is] challenging and inspiring" Third Way, November 2008 Title mentioned in 'Byzantium' in an article written by the author "a very good book....Dr. Williams has come as close as any twenty-first century western man can hope to do, to the spirit that aniamted  Dostoevsky's literary genius. This is no mean achievement" Churchman, 1 November 2008 "This work offers solely a Christian understanding of Dostoevsky's work and does not entertain alternative readings" Chioice, Feb 2009 Reviewed by John D. Baird, TLS 16 january 2009 Author article, Book mentioned


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Product Details
  • ISBN-13: 9781441183880
  • Publisher: Continuum Publishing Corporation
  • Publisher Imprint: Continuum Publishing Corporation
  • Height: 214 mm
  • No of Pages: 304
  • Sub Title: Language, Faith and Fiction
  • Width: 136 mm
  • ISBN-10: 1441183884
  • Publisher Date: 01 Oct 2009
  • Binding: Paperback
  • Language: English
  • Spine Width: 24 mm
  • Weight: 438 gr


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