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Seeing Picasso

Seeing Picasso


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About the Book

Between the spring of 1907 and the fall of 1912, Picasso produced eight variations on a new way of composing works of art that isolated unaligned shapes in an aligned environment. He arrived at this procedure through a series of discoveries about how we see the world. The first was that forms could be seen from the side (peripheral perspective) and that when so seen, are seen in sequence and close to the viewer. Five years later, in the fall of 1906, he became aware that objects look different when seen oriented to you (frontal perspective) than when you are oriented to them (oriental perspective). By alternating his orientation in his works of 1906-07 he further compartmentalized his compositions. His next step, spring 1907, was to see that forms stand out when seen unaligned in an aligned environment. This he used for a new method that drastically separates forms. Picasso's eight variations on this method were produced by changing his initial orientation, summer 1907, summer 1909, fall 1909, fall 1910 and spring 1912, imaging distant points behind his shapes so that shapes are seen more obliquely, beginning early 1908, imagining a space beyond his composition before seeing forms as unaligned by being to side of the place he is looking, beginning, fall 1910. This imagined space provides him with a wider view of his composition with unaligned forms again seen obliquely. Picasso will use this background-space method from here on. Picasso's methods were id secret, but secrets he hid in plain sight. Through his work, Picasso left us a better understanding of how we see the world and how we see and make works of art. It is a legacy unmatched in the history of art.


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Product Details
  • ISBN-13: 9781412016568
  • Publisher: Trafford Publishing
  • Publisher Imprint: Trafford Publishing
  • Height: 280 mm
  • Width: 216 mm
  • ISBN-10: 1412016568
  • Publisher Date: 18 Aug 2006
  • Binding: Paperback
  • Weight: 123 gr


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