About the Book
This book explores the connections between history and fantasy in George RR Martin's immensely popular book series 'A Song of Ice and Fire' and the international TV sensation HBO TV's Game of Thrones. Acknowledging the final season's foregrounding of the cultural centrality of history, truth and memory in the confrontation between Bran and the Night King, the volume takes full account of the TV show's conclusion in its multiple readings across from medieval history, its institutions and practices, as depicted in the books to the show's own particular medievalism. The topics under discussion include the treatment of the historical phenomena of chivalry, tournaments, dreams, models of education, and the supernatural, and the different ways in which these are mediated in Martin's books and the TV show. The collection also includes a new study of one of Martin's key sources, Maurice Druon's Les Rois Maudits, in-depth explorations of major characters in their medieval contexts, and provocative reflections on the show's controversial handling of gender and power politics.
Written by an international team of medieval scholars, historians, literary and cultural experts, bringing their own unique perspectives to the multiple societies, belief-systems and customs of the 'Game of Thrones' universe, Memory and Medievalism in George RR Martin and Game of Thrones offers original and sparky insights into the world-building of books and show.
Table of Contents:
Introduction
Part I – Memory
1. On Medieval Dream Tradition in George R. R. Martin's A Song of Ice and Fire Bartlomiej Blaszkiewicz (University of Warsaw, Poland)
2. The Medievalist Emotional Economy in George R. R. Martin's A Song of Ice and Fire Anna Czarnowus (University of Silesia, Poland)
Part II – Reimagining History
3. George R.R. Martin's A Song of Ice and Fire and Maurice Druon's Les Rois Maudits (The Accursed Kings) Carolyne Larrington (University of Oxford, UK)
4. Broken Bodies, Broken Kingdoms, Broken Promises: The Revolutionary Failure of A Game of Thrones Robert Rouse (University of British Columbia, Canada) and Cory Rushton (St Francis Xavier University, Canada)
Part III – Faith and Salvation
5. The Dog, the Cynic, and the Saint: The Case of Sandor Clegane Thomas Honegger (Friedrich-Schiller-Universität Jena, Germany)
6. The Figure of George R.R. Martin's Septon Meribald and the Franciscan Legacy Maria Blaszkiewicz University of Warsaw, Poland)
Part IV – Key Institutions
7. The Citadel and the Ivory Tower: Academia and Education in Westeros Mikayla Hunter (University of Oxford, UK)
8. The Iron Bank Will Have Its Due: Trade and Economics in Game of Thrones Caroline Batten (University of Oxford, UK)
Part V – Chivalry: Theory and Practice
9. The Warrior(s) in Crisis: The Knights of Westeros and the Process of Civilization Anja Müller (Siegen University, Germany)
10. Tournaments and Judicial Duels in George R.R. Martin's The World of Ice & Fire and A Song of Ice and Fire Przemyslaw Grabowski-Górniak (Independent Scholar, Poland)
Part VI - The HBO Effect: Violence and Misogyny
11. From Romance to Rape: The Portrayal of Masculine Sexuality in Game of Thrones Kristina Hildebrand (Halmstad University, Sweden)
12. The Case of Cersei Lannister: Neomedievalist Misogyny in George R.R. Martin's A Song of Ice and Fire Sylwia Borowska-Szerszun (University of Bialystok, Poland)
Index
About the Author :
Carolyne Larrington is Professor of Medieval Literature at University of Oxford, UK. She is the author of The Women's Companion to Mythology (1997), Morgan and her Sisters in Arthurian Tradition (2006), The Land of the Green Man (2015) and Winter is Coming (2015), among others.
Anna Czarnowus is Associate Professor in the faculty of the Humanities at University of Silesia, Poland. She is the co-editor, along with M. J. Toswell, of Medievalism in English Canadian Literature: From Richardson to Atwood (2020).
Review :
This new collection brings together a series of rich, insightful studies which dissect the work of George R.R. Martin and its wider impact and legacy. The contributions to this collection demonstrate how so many vital elements of the medieval world from the mundane aspects of religion, trade, finance, and academia to the glories of chivalry and tournaments, resonate in A Song of Ice and Fire/Game of Thrones. From analysing the role of key characters like Cersei Lannister and Sandor Clegane to exploring underlying elements such as masculine sexuality and violence, issues of disability or the role of emotionality, this collection has something for every reader including both fans of Martin's writing and the wider works which it has inspired or scholars and student of the Middle Ages.
The power of this collection lies precisely in its breadth and inclusivity, offering valuable perspectives from a range of disciplinary homes and national traditions in order to present a vibrant and diverse exploration of George R.R. Martin's world. The 12 essays take us from Kings Landing to Essos, and from Castle Black to Dorne, to understand what happens when memory comes into conflict with memories. From Targaryen Kings to peripatetic Septons, the collection addresses not just the inhabitants of the Seven Kingdoms, but their differing voices, taking in questions of disability, toxicity, gender theory, and queerness along the way.
The power of these essays, then, lies not only in the depth of the scholarship at work, but in the variety of the voices which the editors have assembled to offer broad and capacious meditations on questions of power, legitimacy, gender, agency, leadership, and fantasy. As Jon Snow reminds Maestor Aemon in his reminder of the need for diversity: A chain needs all sorts of metals, and a land needs all sorts of people.” (GoT: ASOIAF, p. 435) Let it be said that the many metals of this collection make for a very strong chain indeed.
The essays in this collection create a fascinating parallel scholarly universe in response to the palimpsest of history, memory, and fantasy that is A Game of Thrones. Tackling issues of democracy, faith, scholarship, jurisprudence, medicine, economics, chivalry, emotion, violence, and misogyny, the contributors to this volume offer smart critical commentary on the traditionalist medievalist world imagined by George R.R. Martin, David Benioff, and Daniel Weiss.
