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Home > Art, Film & Photography > Performing arts > Films, cinema > Film history, theory or criticism > Beckett, Deleuze and the Televisual Event: Peephole Art
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Beckett, Deleuze and the Televisual Event: Peephole Art

Beckett, Deleuze and the Televisual Event: Peephole Art


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About the Book

An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.

Table of Contents:
Acknowledgements List of Plates List of Figures Introduction: Intuition/Image/Event: 'Beckett's Peephole' as Audio-Visual Rhizome Thinking the Unthinkable: Time, Cinema and the Incommensurable Beyond Percept and Affect: Beckett's Film (1964) and Non-Human Becoming From 'Dialoghorrhea' to Mental-Image: Comédie (1966), Not I (1977) & What Where (1986) Matter and Memory: The Image as Impersonal Process in Eh Joe (1966), Ghost Trio (1977), and …but the clouds' (1977) How to Build a Desiring Machine: Quadrat I + II (1981) Video-body, Video-brain: Nacht und Träume (1983) as Tele-Visual Event Conclusion: The Incommensurable Unnameable: Beckett, Deleuze and the Birth of the Event Bibliography Notes Index

About the Author :
COLIN GARDNER is Professor of Critical Theory and Integrative Studies at University of California, Santa Barbara, USA, where he teaches in the departments of Art, Film & Media Studies, Comparative Literature and the History of Art & Architecture. He is the author of critical studies on Joseph Losey and Karel Reisz.


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Product Details
  • ISBN-13: 9781349436811
  • Publisher: Palgrave MacMillan
  • Publisher Imprint: Palgrave Macmillan
  • Height: 216 mm
  • No of Pages: 226
  • Sub Title: Peephole Art
  • ISBN-10: 134943681X
  • Publisher Date: 01 Jan 2012
  • Binding: Paperback
  • Language: English
  • Returnable: Y
  • Width: 140 mm


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