Audio Production Worktext
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Audio Production Worktext: Concepts, Techniques, and Equipment

Audio Production Worktext: Concepts, Techniques, and Equipment


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About the Book

Now in its 10th edition, the Audio Production Worktext offers a comprehensive introduction to audio production in radio, television and film. This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for the visual media. The reader is shown the reality of audio production both within the studio and on location. New to this edition is material covering podcasting, including online storage and distribution. The new edition also includes an updated Glossary and Appendix on analog and original digital applications, as well as chapter self-study questions and projects that students can use to further enhance their learning. The accompanying instructor website has been refreshed and includes an Instructor’s manual and chapter PowerPoint images. This book remains an essential text for audio and media production students seeking a thorough introduction to the field.

Table of Contents:
Preface Chapter 1: Production Planning Chapter 2: The Studio Environment Chapter 3: Digital Audio Production Chapter 4: Microphones Chapter 5 : The Audio Console Chapter 6: Podcasting and Digital Audio Recording Chapter 7: Monitor Speakers and Studio Accessories Chapter 8: Signal Processing and Audio Processors Chapter 9: Production Situations Chapter 10 Location Sound Recording Chapter 11 Sound Production for the Visual Media Glossary Appendix

About the Author :
Samuel J. Sauls has a combined total of 15 years’ experience in commercial and noncommercial radio. He’s on the BEA board of directors. At UNT, he is the RTVF Director of Graduate Studies. Craig A. Stark has worked and taught in broadcasting for almost 20 years. He has worked in commercial radio and video production as an announcer, news/sports reporter, and broadcast engineer. He is active with the BEA and several other professional and academic organizations.

Review :
The Audio Production Worktext is a solid introductory text for beginning students in the field of audio and electronic media production. The book provides up to date information on standard production practices in a variety of settings, along with basic foundation knowledge of audio systems and equipment. Matthew Hanson, Lecturer of Electronic Media and Film Studies, Eastern Michigan University   It is unusual to find a book that covers the diverse field of audio production. The Audio Production Worktext delivers easy to read, up-to-date content that covers a broad range of topics, ranging from radio production, to location sound recording for television and digital cinema to multiple media distribution systems and beyond. The book provides a solid theoretical base with practical instruction and is perfect for today’s students who should understand the entire audio production process regardless of the medium. Brenda K. Jaskulske, Department of Media Arts, University of North Texas


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Product Details
  • ISBN-13: 9781317557890
  • Publisher: Taylor & Francis Ltd
  • Publisher Imprint: Routledge
  • Edition: New edition
  • No of Pages: 260
  • Returnable: N
  • Sub Title: Concepts, Techniques, and Equipment
  • ISBN-10: 1317557891
  • Publisher Date: 12 Feb 2016
  • Binding: Digital (delivered electronically)
  • Language: English
  • No of Pages: 260
  • Returnable: N


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