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ISE Harmony in Context

ISE Harmony in Context


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About the Book

Music Theory Made Relevant Designed for undergraduate music majors, Harmony in Context provides the richest possible musical context for the study of harmony, constantly encouraging students to translate what they are learning into better performances and better listening. The musical examples and anthology encompass a wide variety of different composers and repertoires. A clear and visually attractive layout, as well as the use of section and subsection headings and lists where appropriate, are essential aspects that contribute to the effective organization of this book. Recordings for all the musical examples from the literature included in both the book and the anthology are available on the book's Online Learning Center.

Table of Contents:
Preface A Message to the Student: Why Do We Study Music Theory? Introduction: The Fundamentals of Music Chapter A Pitch: Notation and Intervals Chapter B Rhythm and Meter Chapter C Tonality: Scales and Keys Chapter D The Rudiments of Harmony I: Triads and Seventh Chords Chapter E The Rudiments of Harmony II: Labeling Chords. Musical Texture Chapter F Introduction to Species Counterpoint Part I: Diatonic Harmony Chapter 1  Harmonic Progression.  The Connection of Chords Chapter 2 The Fundamental Progression:  The Tonic and Dominant Triads in Root Position.  Chapter 3 Harmonic Function; the Subdominant Triad in Root Position Chapter 4 Triads in First Inversion Chapter 5 The Supertonic: Melody Harmonization Chapter 6 Nonchord Tones Chapter 7 6/4 Chords Chapter 8 The Dominant Seventh and Its Inversions Chapter 9 The Leading-Tone Triad Chapter 10  Cadences Chapter 11  Building the Context for Harmony I: Phrase Structure Chapter 12  Building the Context for Harmony II: Thematic Development Chapter 13  Harmonic Rhythm; Metric Reduction Chapter 14  The Mediant, Submediant, and Subtonic Triads Chapter 15  Other Diatonic Seventh Chords Chapter 16  Harmonic Sequences Part II: Chromatic Harmony and Form Chapter 17  Tonicization I Chapter 18  Tonicization II Chapter 19  Tonicization III: Secondary Leading-Tone Chords Chapter 20  Modulation to Closely-Related Keys Chapter 21  Small Forms: Binary and Ternary; Variation Forms Chapter 22  Contrapuntal Genres: Invention and Fugue Chapter 23  Modal Mixture Chapter 24  The Neapolitan Chord Chapter 25  Augmented Sixth Chords Chapter 26  Chromatic Modulatory Techniques:Modulation to Distantly Related Keys I Chapter 27  Modulation to Distantly-Related Keys II; Linear Chromaticism I Chapter 28  Introduction to Large Forms Chapter 29  Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II; Chapter 30  The German Romantic Lied: Chromatic Harmony in Context Chapter 31  Toward (and Beyond) the Limits of Functional Tonality Appendix: Transposing Instruments Musical Example Index Subject Index


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Product Details
  • ISBN-13: 9781260566505
  • Publisher: McGraw-Hill Education
  • Publisher Imprint: Mcgraw-Hill Education
  • Height: 234 mm
  • No of Pages: 800
  • Weight: 1100 gr
  • ISBN-10: 1260566501
  • Publisher Date: 29 Mar 2019
  • Binding: Paperback
  • Language: English
  • Spine Width: 25 mm
  • Width: 201 mm

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