Some Principles of Every-Day Art; Introductory Chapters on the Arts Not Fine
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Some Principles of Every-Day Art; Introductory Chapters on the Arts Not Fine

Some Principles of Every-Day Art; Introductory Chapters on the Arts Not Fine


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 Excerpt: ...none the less apt because he has put himself into his work. The least consideration will convince him that, having undertaken to ornament a thing, whatever else he may do, he is bound to make it ornamental. One cannot properly begin to design ornament until one has some knowledge of what it is to be applied to; and it is the test of all good ornament that is applied judiciously, that it does not in the slightest degree interfere with the use of the object decorated, and that it is strictly adapted to the nature of the material in which it is carried out. Misapply the most exquisite workmanship, and it is worse than wasted; add enrichment that unfits an object for its prime purpose, and it becomes offensive; work in antagonism to the material employed, and you produce, perhaps, at great pains, an effect far inferior to what you might have gained with ease by an intelligent use of the means at hand. The considerations of material, process of manufacture, and method of working, are of too technical a nature to be discussed here at any great length. But it is necessary that even the amateur should know something of the value of workmanlikeness in ornament; and he has only to know it in order to appreciate the unreasonableness of neglecting it. Without some little training and study, without some degree of familiarity with the various crafts, it will be impossible to detect at once whether a design is adapted to be wrought or cast, printed or woven, carved or modelled, whether it is fit to be executed in stone or plaster, silk or paper, wood or metal. But it will take only a moment's thought to convince even the least artistic, that the processes of hammering and casting, weaving and printing, modelling and carving, are so different, and the nature of hard stone...


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Product Details
  • ISBN-13: 9781236096142
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 30
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1236096142
  • Publisher Date: 01 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 73 gr

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