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Home > Art, Film & Photography > The arts: general issues > The Practical Printer; A Complete Manual of Photographic Printing, by Charles W. Hearn. Containing Full Details Concerning All the Styles and Processes of Plain and Albumen Paper Printing, and of Printing on Porcelain
The Practical Printer; A Complete Manual of Photographic Printing, by Charles W. Hearn. Containing Full Details Concerning All the Styles and Processes of Plain and Albumen Paper Printing, and of Printing on Porcelain

The Practical Printer; A Complete Manual of Photographic Printing, by Charles W. Hearn. Containing Full Details Concerning All the Styles and Processes of Plain and Albumen Paper Printing, and of Printing on Porcelain


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1878 Excerpt: ...will appear to be toned plenty. The prints are toned when the high-lights and half-tints of the face appear clear, and a little blue when they are lying down in the dish and examined in a weak light. Take them out immediately, even if upon looking at them in a stronger light the shadows and draperies should appear as red as fire, for the prints are toned. In nine cases out of ten you will at first overtone the prints rather than undertone them. Tone for the lights and half-tints, and let the shadows take care of themselves. The salt in the above bath is the improvement of this bath over the common sal soda bath, and it is partly owing to this salt that such beautiful tones can be obtained. In case you overtone, the tone will never be a disagreeable slaty one, but rather a pretty blue. This bath, within the last year or so, has become quite popular i n New York and Philadelphia, and probably in other cities. It is made as follows: Before the gold in solution is added, place it in a clean graduate glass, and add one tablespoonful of English prepared chalk. Stir well with a clean glass rod, and filter through filteringpaper directly into the above bath. Let the bath stand one day before use to ripen, and then tone without adding any more gold, as the bath is neutral, and the gold which was added the day before will, of course, then be sufficient to tone with. Tone a little bluish, and then remove to a bath of fresh water. Every night, when through toning, add more gold for the next night's use, in the same manner described above. By making up this bath in the first place with boiling water instead of cold, it can be used for toning in a very few hours, as it ripens more quickly. The acetate of soda, as well as the salt, is dispensed with by some parties using ...


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Product Details
  • ISBN-13: 9781236089854
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 68
  • Spine Width: 4 mm
  • Width: 189 mm
  • ISBN-10: 1236089855
  • Publisher Date: 01 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 141 gr


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The Practical Printer; A Complete Manual of Photographic Printing, by Charles W. Hearn. Containing Full Details Concerning All the Styles and Processes of Plain and Albumen Paper Printing, and of Printing on Porcelain
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The Practical Printer; A Complete Manual of Photographic Printing, by Charles W. Hearn. Containing Full Details Concerning All the Styles and Processes of Plain and Albumen Paper Printing, and of Printing on Porcelain
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