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Home > Art, Film & Photography > Die Choralnotenschrift Bei Hymnen Und Sequenzen; Eine Untersuchung Der Auf Linien Gesetzten Neumen ALS Palaographische Vorstudie Zur Geschichte Des Ei
Die Choralnotenschrift Bei Hymnen Und Sequenzen; Eine Untersuchung Der Auf Linien Gesetzten Neumen ALS Palaographische Vorstudie Zur Geschichte Des Ei

Die Choralnotenschrift Bei Hymnen Und Sequenzen; Eine Untersuchung Der Auf Linien Gesetzten Neumen ALS Palaographische Vorstudie Zur Geschichte Des Ei


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About the Book

Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1898 edition. Auszug: ...--gibus dimetiantur (ut sunt Am brosiani)1). Die Gesetze, an welche Johannes Cotto denkt, scheinen aber diesmal eher sich auf gut korrespondierende Tonintervalle zu beziehen. Dies legt das von ihm gegebene musikalisch-liturgische Fragment und seine Erlauterung nahe. Um so auffalliger ist es fur uns, dass auch in solchem Zusammenhang die ambrosianischen Gesange als Muster erwahnt werden. Unter allen Umstanden sind die Notizen dieses Theoretikers geeignet, uns zu warnen vor ubereiltem Haschen nach Beweisen fur das Vorhandensein wirklich metrischer Musik im Mittelalter. Was wir bei Engelbert Von Admont lesen, zeugt aber doch, abgesehen von allen abstrakt theoretischen Erwagungen, mindestens so lebhaft als sie, fur die Existenz einer musica metrica. Er erklart: Der metrische Modus ist derjenige der Histrionen (Schauspieler), welche zu unserer Zeit Sanger genannt werden--vor Alters hiessen sie Dichter--; sie sind es, die nur rhythmische oder metrische Gesange zu dichten und zu komponieren pflegen, um Sitten zu tadeln oder zu lehren; oder um die Metricus enim modus est histrionum, qui vocantur cantores nostro tempore, et antiquitus dicebantur poetae, qui per solum usum rhythmicos vel metricos cantus ad arguendum vel instruendum mores, vel ad movendum animos et affectus ad.... quis in secundae conjugationis verbo acuto accentu in antepenultima pronuntiat, ita: docete.... omnino ipsa auditus novitate tabescit: sic in cantilena etc. 1) G. Scr. II S. 255 Sp. 2 und S. 256 Sp. 1. Bernoulli, Churalnoteuschrift. g Gemuter zu bewegen und die Affekte zu Freude oder Trauer zu stimmen--delecta.tionem vel tristitiam...


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Product Details
  • ISBN-13: 9781234486037
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 94
  • Spine Width: 5 mm
  • Width: 189 mm
  • ISBN-10: 1234486032
  • Publisher Date: 24 Jan 2013
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 181 gr


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Die Choralnotenschrift Bei Hymnen Und Sequenzen; Eine Untersuchung Der Auf Linien Gesetzten Neumen ALS Palaographische Vorstudie Zur Geschichte Des Ei
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Die Choralnotenschrift Bei Hymnen Und Sequenzen; Eine Untersuchung Der Auf Linien Gesetzten Neumen ALS Palaographische Vorstudie Zur Geschichte Des Ei
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