About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 106. Chapters: Ariane et Barbe-bleue, Ariodant, Blaise le savetier, Carmen, Cendrillon, Cendrillon (Isouard), Cinq-Mars (opera), Dinorah, Djamileh, Don Cesar de Bazan, Esclarmonde, Euphrosine, Fantasio (opera), Fortunio (opera), Fra Diavolo (opera), Griselidis, Haydee, Jean de Nivelle (opera), Joseph (opera), Julien (opera), L'ambassadrice, L'attaque du moulin, L'eclair, L'etoile du nord, L'heure espagnole, Lakme, Lalla-Roukh, La Basoche, La cour de Celimene, La dame blanche, La damnation de Faust, La fille du regiment, La grand'tante, La marquise de Brinvilliers (opera), La part du diable, La princesse jaune, La voix humaine, Les diamants de la couronne, Les mamelles de Tiresias, Les noces de Jeannette, Les rendez-vous bourgeois, Les troqueurs, Le calife de Bagdad, Le chalet, Le chevalier d'Harmental, Le cheval de bronze, Le congres des rois, Le crescendo, Le domino noir, Le maitre de chapelle, Le marechal ferrant, Le pauvre matelot, Le peintre amoureux de son modele, Le portrait de Manon, Le postillon de Lonjumeau, Le premier jour de bonheur, Le pre aux clercs, Le roi d'Ys, Le roi l'a dit, Le roi malgre lui, Le songe d'une nuit d'ete, Le toreador, Louise (opera), Macbeth (Bloch), Manon Lescaut (Auber), Marouf, savetier du Caire, Mignon, Milton (opera), Pelleas et Melisande (opera), Polypheme, Rita (opera), Robinson Crusoe, Sapho (Massenet), Stratonice (opera), The Tales of Hoffmann, Uthal (opera), Zampa. Excerpt: Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halevy, based on a novella of the same title by Prosper Merimee. The opera was first performed at the Opera-Comique in Paris, on 3 March 1875, and at first was not particularly successful. Its initial run extended to 36 performances, before the conclusion of which Bizet died suddenly, and thus knew nothing of the opera's later celebrity. The opera, written in the genre of opera comique with musical numbers separated by dialogue, tells the story of the downfall of Don Jose, a naive soldier who is seduced by the wiles of the fiery Gypsy, Carmen. Jose abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous toreador Escamillo, after which Jose kills her in a jealous rage. The depictions of proletarian life, immorality and lawlessness, and the tragic outcome in which the main character dies on stage, broke new ground in French opera and were highly controversial. After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883; thereafter it rapidly acquired celebrity at home and abroad, and continues to be one of the most frequently performed operas; the "Toreador song" from act 2 is among the best known of all operatic arias. Later commentators have asserted that Carmen forms the bridge between the tradition of opera comique and the realism or verismo that characterised late 19th-century Italian opera. The music of Carmen has been widely acclaimed for its brilliance of melody, harmony, atmosphere and orchestration, and for the skill with which Bizet represented, musically, the emotions and suffering of his characters. After the composer's death the score was subject to significant amendment, including the introduction of recitative in
