About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 92. Chapters: Bauhaus, Museums in Weimar, Herbert Bayer, Walter Gropius, Wassily Kandinsky, Paul Klee, Lyonel Feininger, Ludwig Mies van der Rohe, Harry Seidler, Laszlo Moholy-Nagy, Fruitbearing Society, Weimar Classicism, Arieh Sharon, Marcel Breuer, Gunta Stolzl, White City, Arthur Korn, Josef Albers, Georg Muche, Bauhaus in Budapest, Johannes Itten, Anni Albers, Oskar Schlemmer, Stiftung Ettersberg, Weimar Princely Free Zeichenschule, Modern typography, Marguerite Wildenhain, Gerhard Marcks, Bauhaus Dessau Foundation, Deutsches Nationaltheater and Staatskapelle Weimar, Nikolay Diulgheroff, Duchess Anna Amalia Library, Pedagogical Sketchbook, Marianne Brandt, Friedl Dicker-Brandeis, Hannes Meyer, Max Bill, Frans Wildenhain, Mart Stam, Bertrand Goldberg, Werner Drewes, Ludwig Hilberseimer, Deutscher Werkbund, Bauhaus Center, Martinus Adrianus Stam, Otto Lindig, Triadisches Ballett, Fred Forbat, Avgust ernigoj, Wilhelm Wagenfeld, Paul Schweikher, Thilo Maatsch, Bauhaus Archive, Otto Hofmann, Walter Peterhans, Adolf Meyer, Erwin Ratz, Joost Schmidt, Bauhaus Museum, Weimar, Alfred Arndt, Franz Ehrlich, Cantilever chair, Klassik Stiftung Weimar, Goethe-Nationalmuseum. Excerpt: The Fruitbearing Society (German Die Fruchtbringende Gesellschaft, lat. societas fructifera) was a German literary society founded in 1617 in Weimar by German scholars and nobility to emulate the idea of the Accademia della Crusca in Florence and similar groups already thriving in Italy, to be followed in later years also in France (1635) and Britain. Its main purpose was to standardize German as a vernacular language and see to its propagation as both a scholarly and literary language. It is also known as the Palmenorden ("Palm Order") because its emblem was the then-exotic fruitbearing coconut palm. A - B - C - D - E - F - G - H - I - J - K - L - M - N - O ...
