About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 56. Chapters: Dance historians, Dance notation, Dance writers, History of dance, Ethnomusicology, DanceWriting, History of hip-hop dance, Eshkol-Wachman Movement Notation, History of the Diablada, History of ballet, Olga Maynard, Mozart and dance, Lyndon Wainwright, Laban Movement Analysis, Adam Darius, Mary Ann O'Brian Malkin, Gertrude Prokosch Kurath, Joann Kealiinohomoku, History of Tango, Adrienne L. Kaeppler, Byzantine dance, Cross-Cultural Dance Resources, Leela Samson, John Mueller, Society of Dance History Scholars, J-Setting, The Lockers, Edwin Denby, Congress on Research in Dance, Peter Brinson, Elsie Ivancich Dunin, Selma Jeanne Cohen, Anthony Shay, Allen Kaeja, Beryl de Zoete, Arlene Croce, International Council for Traditional Music, Sunil Kothari, Ingrid Brainard, Richard Powers, Deborah Jowitt, Dance science, Margaret M. McGowan, Beauchamp-Feuillet notation, Ethnochoreology, Mabel Todd, Richard Buckle, Juliet McMains, Benesh Movement Notation, Albert, Max Salazar, Dance Notation Bureau, Susan Manning, Action stroke dance notation, Dance theory, Bartenieff Fundamentals, Motif description, The Electric Boogaloos, Yearbook for Traditional Music. Excerpt: The history of hip-hop dance encompasses the people and events since the 1970s that contributed to the development of the early hip-hop dance styles of uprock, breaking, locking, popping, and electric boogaloo. Uprock and breaking were created by Black and Latino Americans in New York City. Locking, popping, and electric boogaloo-collectively referred to as the funk styles-were created by Black Americans in California. All these dance styles are different stylistically. They share common ground in their music and street origins, and in their improvisational nature which defines hip-hop dance. More than 30 years old, hip-hop dance became widely known after the first pr...
