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Home > History and Archaeology > History > Lettering in Ornament; An Enquiry Into the Decorative Use of Lettering, Past, Present, and Possible
Lettering in Ornament; An Enquiry Into the Decorative Use of Lettering, Past, Present, and Possible

Lettering in Ornament; An Enquiry Into the Decorative Use of Lettering, Past, Present, and Possible


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 Excerpt: ...there are moments when it is wiser only to suggest. Art is not advertisement. Instances innumerable occur in which the meaning of the words an artist may introduce into his design ought not to be obvious, when it would be nothing short of an offence if they were too plainly readable. This is especially the case where a sentiment is conveyed in them; we do not shout our sentiments from the housetop; and the more tender the sentiment conveyed in the words, the more becoming it is that they should be spoken under the breath. A certain mystery about the wording of a sentiment is of the very essence of its tenderness. If upon the marriage chest of old the carver intertwined the names of bride and bridegroom (62), if upon a bridesmaid's locket the goldsmith of today enamels the initials of the pair, if the one sees fit to introduce into his carving the other into his enamelling a pious wish, a prayer for their happiness, would he, being a man of delicate feeling, so shape the letters that who ran might read? Would he not in his discretion preferably reduce them to ornament which, though decipherable to those concerned, did not advertise an intimate thought or feeling to the world? It often happens that the right thing, and the only thing to do, is to express what we have to say so reticently of reverence in veiling the name of the deity, and there is little likelihood of its being misunderstood. Would any pious Christian 63. OLD SOMERSETSHIRE PEW END. The name of Allah figures largely in Moresque ornament, variously written. Precisely what liberty the artists took with the Arabic character, I do not know; but they could hardly take too much. There seems to be a sort miss the meaning of the words upon the scroll ingeniously composed to occupy the background to a p...


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Product Details
  • ISBN-13: 9781231243824
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 34
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1231243821
  • Publisher Date: 01 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 82 gr

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Lettering in Ornament; An Enquiry Into the Decorative Use of Lettering, Past, Present, and Possible
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