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Masterpieces of Greek Sculpture Volume 1; A Series of Essays on the History of Art

Masterpieces of Greek Sculpture Volume 1; A Series of Essays on the History of Art


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1895 Excerpt: ...the evidence seems to be in favour of the former view. The motive in its principal features--a broad swinging stride to the right, the head thrown well to the left, one arm (usually) raised, the other bent at an angle--enters Greek art as a complete idea, and from the time of its entrance becomes a common property to be employed over and over again. It is quite unknown before the time of the Parthenos. It first appears in that free and animated style which wc have learned to recognize as the style of Pheidias in his Parthenos epoch (cf. p. 44 se/f.) Among the metopes of the Parthenon this ' horse-taming' motive is met with only in a few of the freest examples;3 on the ' Theseion' it appears only in the frieze4 (which is similar in style to the more advanced metopes of the Parthenon), and not in the metopes at all; it is represented on the shield of the Parthenos as well as on the basis, it is quite familiar on Parthenon frieze and pediments, and in all works nearly related to the style of these sculptures, such as the reliefs of Phigaleia, a certain series of Attic vases, etc.5 We may, then, assume that Pheidias, if not actually the inventor of the motive, is principally responsible for its adoption into Attic art. Formal analysis has taught us that the Colossi of Monte Cavallo, irrespective of their inscriptions, must be referred to originals from the epoch of the Parthenon frieze and from the circle of Pheidias. This being so, we have no grounds for doubting the correctness of the traditional inscriptions, which give us the artists' names: Pheidias and Praxiteles. This Praxiteles is no longer unknown. He is of course identical with the artist of the Promachos (p. 32). This statue, we saw, was a work closely connected with Pheidias, perhaps partly invented...


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Product Details
  • ISBN-13: 9781231238769
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 106
  • Spine Width: 6 mm
  • Width: 189 mm
  • ISBN-10: 1231238763
  • Publisher Date: 01 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 204 gr


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