About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 82. Chapters: A-Plot, Anagnorisis, Babies switched at birth, Backstory, Catharsis, Cliffhanger, Climax (narrative), Dangler (plot device), Deathtrap (plot device), Dionysian imitatio, Dramatic structure, Dramatistic pentad, Eavesdropping, Epiphany (feeling), Ethos, Fabel, Flashback (narrative), Flashforward, Formula fiction, Frame story, Framing device, Hamartia, Happy ending, Imitation (art), Lexis (Aristotle), MacGuffin, Mimesis, Mythos (Aristotle), Narrative hook, Peripeteia, Plot generator, Plot hole, Plot point, Plot twist, Poetics (Aristotle), Predestination paradox, Quest, Red herring, Reveal (narrative), Reverse chronology, Scene (drama), Screenwriting, Self-fulfilling prophecy, Sexual tension, Side story, Story arc, Story within a story, Subplot, Suspension of disbelief, Three-act structure, Types of fiction with multiple endings, Vignette (literature). Excerpt: A story within a story is a literary device in which one character within a narrative himself narrates. Mise en abyme is the French term for a similar literary device (also referring to the practice in heraldry of placing the image of a small shield on a larger shield). A story within a story can be used in all types of narration: novels, short stories, plays, television programs, films, poems, songs, and philosophical essays. The inner stories are told either simply to entertain or more usually to act as an example to the other characters. In either case the story often has symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth in the outer story. The literary device of stories within a story dates back to a device known as a frame story, when the outer story does not have much matter, and most of the bulk of the work...
