About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 171. Chapters: Musique concrete, Minimalism, Glissando, Polytonality, Tremolo, Computer music, Atonality, Syncopation, Tape music, Antiphon, Hemiola, Bebung, Remix, Found object, Appropriation, Mashup, Loudness war, Consonance and dissonance, Ostinato, Organum, Turntablism, Inversion, Disco orchestration, Wall of Sound, Musical cryptogram, Double variation, Plunderphonics, Radical Computer Music, Modulation, Rhythmic mode, Groove, List of horn techniques, Parody music, Break, Saxophone technique, Tritone substitution, Bell pattern, Chord substitution, Multiplication, Sound collage, Orchestra hit, Process music, Picardy third, Transposition, Notes inegales, Timbral Listening, Drone, Manualism, Generative music, Overblowing, Sheets of sound, Punctualism, Chromaticism, Musica ficta, Stutter edit, Cantus firmus, Lining out, Soundscapes by Robert Fripp, Swing, Call and response, Perpetuum mobile, Thematic transformation, Formula composition, Reentrant tuning, Tonicization, Soggetto cavato, Stride, Permutation, Melisma, Fauxbourdon, Venetian polychoral style, Voicing, 3d Solar, Repetitive music, List of jazz contrafacts, Coro-pregon, Five finger exercise, Word painting, Sound installation, Intuitive music, Interpolation, Hook, Imitation, Repetition, Voice leading, Concertato, Altissimo, Phasing, Sonic artifact, Gymel, Eclecticism in art, Fill, Matrix, Hocket, Resolution, Klangfarbenmelodie, Tintinnabuli, Eclectic Method, Artificial harmonic, Musica reservata, Reverse echo, Prolation canon, Falset, Blues guitar playing, Damping, Crab, Metric modulation, Musical development, Cycle, Polystylism, Stop-time, Sound sculpture, Four note group, Pandiatonic, Lick, Controllerism, TAPESTREA, Copula, Division, Text declamation, Inganno, Bimodality, Turntablist transcription methodology, Flare, Musical technique, Slide, Falsobordone, Rolled...