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Home > Art, Film & Photography > Modal Frames: Shifts of Level, Consecutive Fifths, Modal Frame, Ladder of Thirds, Shout-And-Fall
Modal Frames: Shifts of Level, Consecutive Fifths, Modal Frame, Ladder of Thirds, Shout-And-Fall

Modal Frames: Shifts of Level, Consecutive Fifths, Modal Frame, Ladder of Thirds, Shout-And-Fall


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About the Book

Chapters: Shifts of Level, Consecutive Fifths, Modal Frame, Ladder of Thirds, Shout-And-Fall. Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: In music, consecutive fifths (sometimes known as parallel fifths) are progressions in which a perfect fifth is followed by a different perfect fifth between the same two musical parts (or voices): for example, from C to D in one part along with G to A in a higher part. Intervening octaves are irrelevant to this aspect of musical grammar; for example, parallel twelfths (i.e., as created by successive intervals of an octave plus a fifth) are equivalent to parallel fifths. In the medieval period, large church organs and positive organs would often be permanently arranged for each single key to speak in a consecutive fifth. It is believed this practice dates to Roman times. A positive organ having this configuration has been reconstructed recently by Van der Putten and is housed in Groningen, and is used in an attempt to rediscover performance practice of the time. During the common practice period, the use of consecutive fifths was strongly discouraged. This was primarily due to the notion of voice leading, which stresses the individual identity of the parts. Because of the powerful presence of the fifth above the fundamental in the overtone series, the individuality of two parts is weakened when they move in parallel fifths. Singing in consecutive fifths may have originated from the accidental singing of a chant a perfect fifth above (or a perfect fourth below) the proper pitch. Whatever its origin, singing in parallel fifths became commonplace in early organum and conductus styles. Around 1300, Johannes de Grocheo became the first theorist to prohibit the practice. However, parallel fifths were still common in 14th-centu...More: http://booksllc.net/?id=1632736


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Product Details
  • ISBN-13: 9781158699285
  • Publisher: Books LLC
  • Publisher Imprint: Books LLC
  • Height: 152 mm
  • No of Pages: 24
  • Spine Width: 2 mm
  • Weight: 50 gr
  • ISBN-10: 115869928X
  • Publisher Date: 16 Sep 2010
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Sub Title: Shifts of Level, Consecutive Fifths, Modal Frame, Ladder of Thirds, Shout-And-Fall
  • Width: 229 mm


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