About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 60. Chapters: Art museums and galleries in Hong Kong, Art schools in Hong Kong, Cinema of Hong Kong, Hong Kong comics, Performing arts in Hong Kong, Triad, Hong Kong action cinema, List of Golden Harvest productions, Cattle Depot Artist Village, Hong Kong Film Critics Society Award, Peking Opera School, List of Hong Kong submissions for the Academy Award for Best Foreign Language Film, Hong Kong International Film Festival, Gun fu, Girls with guns, List of Hong Kong Category III films, McDull, Manhua, Hwang In-Shik, Golden Bauhinia Awards, Pillar of Shame, K11, List of Hong Kong celebrities, Triangle, The Hong Kong Academy for Performing Arts, Lo Lieh filmography, Heroic bloodshed, Hong Kong Fringe Club, Lianhuanhua, Focus Group Holdings Limited, Mo lei tau, McMug, Hong Kong motion picture rating system, Flagstaff House, Frank Bren, Sunbeam Theatre, George Chinnery, Hong Kong New Wave, Jockey Club Ti-I College, University Museum and Art Gallery, Hong Kong, Wire fu, Sil-Metropole Organisation, Museum of Contemporary Art, Asia, Uncle Choi, Yu Jim-yuen, Hong Kong Museum of Art, Hong Kong Comics: A History of Manhua, Journal of Current Pictorial, Legend of Emperors, Tsui Museum of Art, Mei Ah Entertainment, Entertainment Expo Hong Kong, Hong Kong Asian Film Festival, Hong Kong Second Wave, Ying e Chi. Excerpt: The cinema of Hong Kong (Chinese: ) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China, and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world. Unlike many film industries, Hong Kong has enjoyed little to no direct government support, through either subsidies or import quotas. It is a thoroughly commercial cinema...