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Home > Art, Film & Photography > Documentary Film Styles Documentary Film Styles: Direct Cinema, Cinema Verite, Fly on the Wall Direct Cinema, Cinema Verite, Fly on the Wall
Documentary Film Styles Documentary Film Styles: Direct Cinema, Cinema Verite, Fly on the Wall Direct Cinema, Cinema Verite, Fly on the Wall

Documentary Film Styles Documentary Film Styles: Direct Cinema, Cinema Verite, Fly on the Wall Direct Cinema, Cinema Verite, Fly on the Wall


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About the Book

Chapters: Direct Cinema, Cinema Verite, Fly on the Wall. Source: Wikipedia. Pages: 25. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Direct Cinema is a documentary genre that originated between 1958 and 1962 in North America, principally in the Canadian province of Quebec and the United States. Similar in many respects to the the cinema verite genre, It was characterized initially by filmmakers' desire to directly capture reality and represent it truthfully, and to question the relationship of reality with cinema. "Direct Cinema is the result of two predominant and related factors--The desire for a new cinematic realism and the development of the equipment necessary to achieving that desire"(Monaco 2003, p. 206) Many technological, ideological and social aspects contribute to the Direct Cinema movement and its place in the history of cinema. Direct Cinema was made possible, in part, by the advent of light, portable cameras, which allowed the hand-held camera and more intimacy in the filmmaking. It also produced movements that are the style's visual trademark. The first cameras of this type were German cameras, designed for ethnographic cinematography. The company Arriflex was considered the first to widely commercialize such cameras, that were improved for aerial photography during World War II. Easily available, portable cameras played an important part, but the existence of these cameras in itself did not trigger the birth of Direct Cinema. The idea of cinema as an objective space has been present since its birth. The Kino-Pravda (literally "Cinema Truth") practice of Dziga Vertov, which can be traced back to the 1920s, gave an articulated voice to this notion, where one can also see the influence of futurism. Before the 1960s and the advent of Direct Cinema, the concepts of propagand...More: http: //booksllc.net/?id=192985


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Product Details
  • ISBN-13: 9781157055624
  • Publisher: Books LLC
  • Publisher Imprint: Books LLC
  • Height: 152 mm
  • Sub Title: Direct Cinema, Cinema Verite, Fly on the Wall Direct Cinema, Cinema Verite, Fly on the Wall
  • Width: 229 mm
  • ISBN-10: 1157055621
  • Publisher Date: 15 Sep 2010
  • Binding: Paperback
  • Spine Width: 2 mm
  • Weight: 54 gr


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