About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 47. Chapters: Candombe, Discographies of Uruguayan artists, Tangos, Uruguayan musical groups, Uruguayan musical instruments, Uruguayan musicians, Latejapride*, Music of Uruguay, Renee Pietrafesa Bonnet, La Trampa, National Anthem of Uruguay, Serdtse, Blue Tango, Los Olimarenos, La cumparsita, Ruben Rada, Los Traidores, List of public domain tangos, Pablo Zinger, No Te Va Gustar, Jose Carbajal, Jorge Drexler, Roberto Perera, Chocolate, Buitres, Daniel Viglietti, Reynaldo Young, Uruguayan rock, Larbanois - Carrero, Natalia Oreiro discography, Francisco Canaro, Jose Liard, Requiem aeternam, Francisco Jose Debali, Camelia and Delgado, Los TNT, I've Seen That Face Before, Bajofondo, El Choclo, Gerardo Matos Rodriguez, Murga, Alejandro Balbis, Dani Umpi, Los Shakers, Por una Cabeza, I Get Ideas, Trotsky Vengaran, Sur, Washington Benavides, Jaime Roos, Luis Cluzeau Mortet, To ostatnia niedziela, Estaciones Portenas, Carlos Nilson, Danilo Pallares Echeverria, Juan Campodonico, Leo Masliah, Uruguayan Invasion, Libertango, Mi noche triste, Fernando Quijano, Los Mockers, Raices, La yumba, Cambalache, Jorge Lazaroff, Himno a Flores, Adios Nonino, Al Mundo le falta un Tornillo, Oopoochawa, Yerbomatofono, El Peyote Asesino, Tambores de candombe, Concurso Internacional Aemus, Resurreccion Del Angel. Excerpt: Candombe is a musical genre that has its roots in the African Bantu, and is proper of Uruguay, Argentina and Brazil. Uruguayan Candombe is the most practiced and spread internationally and has been recognized by UNESCO as Intangible Cultural Heritage of Humanity. The Argentine candombe can be found to a lesser extent and in a targeted, in the cities of Buenos Aires, Santa Fe, Parana, Saladas y Corrientes and in Brazil in the area of Minas Gerais. Originated from the influences of African music, was developed on both banks of the Rio de la P...
