About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 58. Chapters: Magnatune, G-Unit Records, Shout! Factory, Barcode Recordings, Entity, Good Entertainment, A&E Records, Grand Hustle Records, OnClassical, The Social Registry, Team Love Records, Joyful Noise Recordings, Black Box Music, Derrty Entertainment, Mono Vs Stereo, Afternoon Records, Primary Music, GMA Records, Deluxe Records, Perseverance Records, Angular Recording Corporation, Nonclassical, Bad Boy South, Real Talk Entertainment, Utopia Records, Dead Bees records, GRGDN, Audiobulb Records, Kill Shaman Records, Pina Records, Big Scary Monsters Recording Company, Blocks Recording Club, Acer Records, Punk Rock Payroll, Gargleblast Records, IRIS Distribution, Bennett Alliance, Aux Records, Teleprompt Records, Brainlove Records, Mashit, Transmission, Hive Records, Eye Of The Storm Records, Last Gang Records, Godzilla Entertainment, The Beautiful Music, Black Market Activities, War Office Propaganda, Out on a Limb Records, Tegleg Records, Rainbow Entertainment, SoBe Entertainment, Mechanikal Element Foundation, Retard Disco, Xtra Mile Recordings, Audiolith Records, Apegenine recordings, Border Community, DRT Entertainment, Box-O-Plenty Records, Dead center prods, Rostrum Records, Kirtland Records, Reverberation, Shoplifter Records, Equity Music Group, Le Coq Musique, Nardis Records, Boompa Records, Tofu Records, Frogville Records, Kitty Play Records, Chich kai Label, Redline Records, Sho'nuff Records, Contemode, Everloving Records, Maximum Impact, Flemish Eye, Hydeout Productions, Live Reports, Open Road Recordings, Lojinx, Beyond Logic Records, M3 Records, Seventh Rule Recordings, Mnemosyne Productions, Coercion Records, No Face Records, White Pine Music, Tabu Recordings, TML Entertainment, Low Transit Industries, Architecture Label, Loog Records, LO-MAX Records, Voltage Musique Records, Arcola, Rocky Road Records, White Lion...
