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Home > Art, Film & Photography > Danish Modern: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henning
Danish Modern: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henning

Danish Modern: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henning


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About the Book

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 27. Chapters: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henningsen, Fritz Hansen, Grete Jalk, Hans Olsen (furniture designer), Hans Wegner, Jacob Kjaer, Jorgen Gammelgaard, Jorgen Kastholm, Kaare Klint, Kurt Ostervig, Mogens Koch, Mogens Lassen, Nanna Ditzel, Ole Wanscher, Orla Molgaard-Nielsen, Peter Hvidt, Poul Henningsen, Poul Kjaerholm, Poul Volther, Preben Fabricius, Rigmor Andersen, Verner Panton. Excerpt: Danish modern, frequently capitalized as Danish Modern, is a vintage style of minimalist wood furniture from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions and the requirements of the human body. With designers such as Arne Jacobsen and Hans Wegner and associated cabinetmakers, Danish furniture thrived in the 1940s, 50s and 60s. Adopting mass-production techniques and concentrating on form rather than just function, Finn Juhl contributed to the style's success, especially in the United States where there has recently been a renewal of interest. Kaare Klint: Church Chair (1936)Between the two world wars, Kaare Klint exerted a strong influence on Danish furniture making. Appointed head of the Furniture Department at the Architecture School of the Royal Danish Academy of Fine Arts, he encouraged his students to take an analytical approach, adapting design to modern-day needs. Adopting the Functionalist trend of abandoning ornamentation in favour of form, he nonetheless maintained the warmth and beauty inherent in traditional Danish cabinet making as well as high-quality craftsmanship and materials. The development of modern Danish furniture owes much to the collaboration between architects and cabinetmakers. Cabinetmaker A. J. Iversen, who had successfully exhibited furniture from designs by architect Kay Gottlob at the Paris World Exhibition in 1925, was instrumental in fostering further partnerships. In 1927, with a view to encouraging innovation and stimulating public interest, the Danish Cabinetmakers Guild organized a furniture exhibition in Copenhagen which was to be held every year until 1967. It fostered collaboration between cabinetmakers and designers, creating a number of lasting partnerships including those betwee


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Product Details
  • ISBN-13: 9781156336731
  • Publisher: Books LLC, Wiki Series
  • Publisher Imprint: Books LLC, Wiki Series
  • Height: 246 mm
  • No of Pages: 28
  • Spine Width: 2 mm
  • Weight: 68 gr
  • ISBN-10: 1156336732
  • Publisher Date: 23 Apr 2013
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Sub Title: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henning
  • Width: 189 mm


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Danish Modern: A. J. Iversen, Arne Vodder, Bernt Petersen, Bodil Kjaer, Borge Mogensen, Edvard Kindt-Larsen, Finn Juhl, Frits Henning
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