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Home > Art, Film & Photography > Dynamics Processing: Limiting, Dynamic Range Compression, Noise Gate, 1176 Peak Limiter, Variable-Gain Amplifier, de-Essing
Dynamics Processing: Limiting, Dynamic Range Compression, Noise Gate, 1176 Peak Limiter, Variable-Gain Amplifier, de-Essing

Dynamics Processing: Limiting, Dynamic Range Compression, Noise Gate, 1176 Peak Limiter, Variable-Gain Amplifier, de-Essing


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About the Book

Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Limiting, Dynamic Range Compression, Noise Gate, 1176 Peak Limiter, Variable-Gain Amplifier, De-Essing, La-2a Leveling Amplifier, Limiter, Ducking, Leveling Amplifier, Gating. Excerpt: The 1176LN Peak Limiter is a compressor introduced by UREI in 1968. The 1176LN was inducted into the TECnology Hall of Fame in 2008. At the time of its introduction, it was the first true peak limiter with all solid-state circuitry. Uses Revisions The 1176 underwent a number of revisions including the addition of Brad Plunkett's low-noise (LN) circuitry to produce the 1176LN. This reduced the noise by 6dB and redistributed the noise spectrum, producing even more noise reduction in the sensitive mid-range. Revisions D and E are reputed to sound the best. All Button Mode It was common to use the 1176 in 'all-button mode' or 'British mode'. This was when all four of the ratio buttons are pressed simultaneously. "The way the 1176 sounds, and specifically, the way All-Button mode sounds, is partially due to it s being a program dependent compressor. The attack and release are program dependent, as is the ratio. The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient. To what degree is once again material dependent. This is true for any of the 1176 s ratio settings, and is part of the 1176 s sound. But in All-Button Mode, a few more things are happening; the ratio goes to somewhere between 12:1 and 20:1, and the bias points change all over the circuit. As a result, the attack and release times change. This change in attack and release times and the compression curve that results is the main contributor to the All-Button sound. This is what gives way to the trademark overdriven tone. The shape of the compression curve ...


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Product Details
  • ISBN-13: 9781155768441
  • Publisher: Books LLC
  • Publisher Imprint: Books LLC
  • Height: 152 mm
  • Sub Title: Limiting, Dynamic Range Compression, Noise Gate, 1176 Peak Limiter, Variable-Gain Amplifier, de-Essing
  • Width: 229 mm
  • ISBN-10: 1155768442
  • Publisher Date: 06 May 2010
  • Binding: Paperback
  • Spine Width: 3 mm
  • Weight: 86 gr


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