About the Book
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 36. Chapters: Anne Cromwell's Virginal Book, Apel Codex, Caius Choirbook, Cancioneiro de Belem, Cancioneiro de Elvas, Cancioneiro de Lisboa, Cancioneiro de Paris, Cancionero de Medinaceli, Cancionero de Palacio, Cancionero de Upsala, Capirola Lutebook, Chansonnier Cordiforme, Chigi codex, Clement Matchett's Virginal Book, Dow Partbooks, Dublin Virginal Manuscript, Elizabeth Roger's Virginal Book, Eton Choirbook, Fitzwilliam Virginal Book, Glogauer Liederbuch, Guatemala City Choirbooks, Gyffard partbooks, Het Luitboek van Thysius, Ileborgh Tablature, Lambeth Choirbook, List of RISM abbreviations, Loire Valley chansonniers, Medici Codex, My Ladye Nevells Booke, Parthenia (music), Pepys Manuscript, Priscilla Bunbury's Virginal Book, Repertoire International des Sources Musicales, Ritson Manuscript, Specialnik Codex, Susanne van Soldt Manuscript, The Mulliner Book, Trent Codices. Excerpt: The Cancionero de Palacio (Madrid, Biblioteca Real, MS II - 1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs. The first ten folios are not numbered; the remaining folios are numbered from 1 to 304. Based on the index of works included in the beginning of the manuscript, it originally had 548 works. Many folios have been lost, reducing the number of works currently in the manuscript to 458. The manuscript was written by 9 different people and in all received 11 successive additions: By the end of the 19th century the manuscript was found in the Royal Library of the Royal Palace of Madrid by composer and musicologist Francisco Asenjo Barbieri, who transcribed and published it in 1890 with the title "Cancionero musical de los siglos XV y XVI" (Musical songbook of the 15th and 16th centuries). The manuscript contains 458 works, the bulk of which are in Castilian, although a few works also appear in Latin, French, Catalan and Portuguese. It constitutes an anthology of the polyphonic music performed during the reign of the Catholic Monarchs. The themes found in the songs are the most varied: romantic, religious, festive, chivalrous, satirical, pastoral, burlesque, political, historical, etc. accompanied by music of all styles: from popular folk songs to elaborate compositions. The musical form most important is the villancico, though other genres are also found as the romance and the cancion. The majority of the works are for one voice with instrumental accompaniment but polyphonic works are also available for 2, 3 or 4 voices. Below is a list of the composers present in the manuscript, with the number of works in parentheses: Three different indexing systems are used in the table below:
