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Home > Art, Film & Photography > The Archaeological Journal; Published Under the Direction of the Central Committee of the Archaeological Institute of Great Britain and Ireland, for T
The Archaeological Journal; Published Under the Direction of the Central Committee of the Archaeological Institute of Great Britain and Ireland, for T

The Archaeological Journal; Published Under the Direction of the Central Committee of the Archaeological Institute of Great Britain and Ireland, for T


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About the Book

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1864 edition. Excerpt: ...the progress of the art, and to ascertain the method by which such striking and beautiful pictorial effects have been produced. 1 Read on the occasion of the visit of July 29, during the Annual Meeting held the Archaeological Institute to Lichfield, at Warwick, 1864. VOL. XXI. E E To those who have recently examined the painted glass in the Beauchamp Chapel,2 it may seem somewhat surprising that both examples should have been produced by precisely the same technical process (B); and that the difference in effect between them, which we cannot fail to observe, should be entirely due to the greater skill of the artists who executed the works now under consideration. We are familiar with the expression " the new method," by which Vasari and other writers on art designated the practice of the great painters of the Renaissance. The influence of this practice is shown as clearly in the Lichfield windows, as is that of the hard, dry, flat style of the pictorial art of their day in the windows of the Beauchamp Chapel. And surely if the " new method" of the Renaissance (the invention be it remembered of the greatest artistic geniuses whose works have come down to us) is admirable, and is admired in all other kinds of painting, we may well ask why should its adoption in glass-painting alone be deemed wrong? In what does the impropriety consist? Is any essential or fundamental rule of glass-painting thereby violated? I feel that a glance at the windows at Lichfield ought to set these questions at rest. But, as the works of the Renaissance in painted glass have been of late years systematically decried by a certain class of writers, not merely on account of their style, as being in the Italian and not the Gothic manner (a question with which we need...


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Product Details
  • ISBN-13: 9781155067933
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 174
  • Spine Width: 9 mm
  • Width: 189 mm
  • ISBN-10: 1155067932
  • Publisher Date: 01 Jan 2013
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 322 gr


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