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Home > Art, Film & Photography > An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi
An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi

An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1816 Excerpt: ... to Meerman, "Origines," torn. i. p. 117, had, for a very long period, appertained to the family of Coster himself. I shall not insist on the authenticity of the printed inscription found in this copy, " Ex Officina Lanrentii Joannis Costeri, Anno 1440"--but I submit that the circumstance of its having been anciently bound in the same volume with the first edition of " the Book of Canticles," is not a little corroborative of the opinion given in the test, that the first editions of those two works were published at nearly the same time, and at the same place. t See pp. 129, 130. X See p. 131. If it be admitted, that the first editions of the Biblia Pauperum were in the Latin tongue, (and I think Heineken's argument that books of this kind were at first printed in their original language is incontrovertible) it follows, that as the German translation was printed at Bamberg, by Pfister, in 1461, the Latin editions, or at least the first of those editions, must have been published some time before that period; and in truth there appears every reason to ascribe to some of them a much higher antiquity. Of the Book of Canticles, it has been already observed that, besides the two editions of that work described by Heineken, Lambinet and Daunou mention a third edition, -f-a copy of which is preserved in the royal library at Paris. "This edition," says Lambinet, "is much later than the others. The text is printed on both "sides of the paper, and bears the date 1470. The figures," he adds, "appear more ancient than that epoch." Daunou, also, styles it "a posterior edition;" and there can be no doubt that such is the case: indeed the figures in the original edition of the Book of Canticles, bear...


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Product Details
  • ISBN-13: 9781154250022
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 160
  • Spine Width: 9 mm
  • Width: 189 mm
  • ISBN-10: 1154250024
  • Publisher Date: 01 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 299 gr


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An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi
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An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi
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An Inquiry Into the Origin and Early History of Engraving Volume 1; Upon Copper and in Wood, with an Account of Engravers and Their Works, from the Invention of Chalcography by Maso Finiguerra, to the Time of Marc' Antonio Raimondi

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