About the Book
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1909. Not illustrated. Excerpt: ... index. Absolute, the, as suggested in na-ture, 13-21; is conformity to an absolute method, 32, 38, 56; not inconsistent with suggestions of change, 51-56; or of the eternal and infinite, 19-21; revealed through single specimens, 56-59; truth, 32, 38, 54, 56-59. Achilles, shield of, described by Homer, 478. Adoration of Magi, Luini, 477. jeneid, 263, 265, 327, 331. /Eschylus, 443. /Esthetics, comparative, iii.; Sci-ence of, Day, 276, 280, 433. Africa, religion of, 89, 100, 102. Age, influence of the, on artistic in-spiration, 129; on religious inspi-ration, 31, 112-115; on works of genius, 247. Akenside, 333. Alcamenes, 204. Alexander, panel-paintings of, 363. Alexander's Feast, Dryden, 345. Alhambra, 386. Allegoric and Allegory: music, 325, 350; painting, 325, 354, 418-420, 476-478; poetry, 325, 330; sculp-ture, 325, 367, 368. Alum Bay, Talfourd, 438. Analogical Representation, 64; cause of continuing influence of art-products, 206, 207; distin-guished from logical formulation, 193-196; from spiritually influen-tial suggestion, 175, 189-191; necessitates form as does all art, 194. Analogy, 194-207; involves likeness in methods of formation, 196. Analysis of thought in this volume, 388, 389. Ananias, Death of, Raphael, 364. Anarchy, Vedder, 354. Ancient Mariner, Coleridge, 236. Anderson, Charles, trance speaker, 101. Angelo, Michael, 48, 231, 266, 277, 321, 355-357, 368, 379. 488. Animals, their methods of communi-cation, 97-99; their thinking processes, 97; the subconscious in, 95-99; why sinless, 95, 96: why worshipped, 95, note. Antoinette, Marie, 78. Apollo Belvedere, 485, 487; signifi-cance, how represented in, 425. Appearances, meaning of word as used in art, 3. Arabesque Architecture, 325, 386. Arbuthnot, Epistle to Dr., Pope, 236. Arch, pointed, architect...
