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Home > Art, Film & Photography > The Grammar of Lithography; A Practical Guide for the Artist and Printer in Commercial & Artistic Lithography, & Chromolithography, Zincography, Photo-Lithography, and Lithographic Machine Printing
The Grammar of Lithography; A Practical Guide for the Artist and Printer in Commercial & Artistic Lithography, & Chromolithography, Zincography, Photo-Lithography, and Lithographic Machine Printing

The Grammar of Lithography; A Practical Guide for the Artist and Printer in Commercial & Artistic Lithography, & Chromolithography, Zincography, Photo-Lithography, and Lithographic Machine Printing


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 Excerpt: ...be printed from a polished stone may be changed from a light ground to a dark one, or vice versd. The subject having been protected by rosin (paragraphs 52, 113, 127), is to be acidulated until it stands perceptibly in relief, the thickness of the resinous coating being allowed for. Wash the ink, &c., away with turpentine, and the whole stone quite clean with water, using clean water, containing about one per cent, of acid, for the final wash. The stone having become dry, cover the work to the extent desired for the ground with lithographic writing-ink, which must be permitted to dry, when the whole may be rolled up in printing-ink. This covering with lithographic ink may, if the operator wishes, be done after the etching operation, allowing the stone to dry. The work and the ground being now equally black, the ink has to be removed from the parts in relief, so that they may be reversed from black to white. Take a piece of snake-stone, make it quite flat by rubbing it upon the margin of the stone; then polish away the surface of the raised portion until the design becomes quite clear. If any part of the ground should be accidentally damaged, it must be touched up with lithographic ink to repair it. Gum the stone, dry, and roll up. It may be again rosined and etched, in the same way as before, if it is thought worth while, to reduce the parts in relief to the level of the ground. Many examples of this kind of work will be found among labels and showcards, --the uninitiated sometimes thinking they are printed in white, more especially when the sampb has first been set up in type. III.--If an impression of the subject to be transposed be taken in a strong ink, it may be dusted over with finelypowdered dry gum-arabic, or with dextrine, which may subsequently...


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Product Details
  • ISBN-13: 9781150936500
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 92
  • Spine Width: 5 mm
  • Width: 189 mm
  • ISBN-10: 1150936509
  • Publisher Date: 09 May 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 181 gr


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The Grammar of Lithography; A Practical Guide for the Artist and Printer in Commercial & Artistic Lithography, & Chromolithography, Zincography, Photo-Lithography, and Lithographic Machine Printing
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