Henry Beyle (Otherwise de Stendahl); A Critical and Biographical Study Aided by Original Documents and Unpublished Letters from the Private Papers of the Family of Beyle
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Home > Art, Film & Photography > Henry Beyle (Otherwise de Stendahl); A Critical and Biographical Study Aided by Original Documents and Unpublished Letters from the Private Papers of the Family of Beyle
Henry Beyle (Otherwise de Stendahl); A Critical and Biographical Study Aided by Original Documents and Unpublished Letters from the Private Papers of the Family of Beyle

Henry Beyle (Otherwise de Stendahl); A Critical and Biographical Study Aided by Original Documents and Unpublished Letters from the Private Papers of the Family of Beyle


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About the Book

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated.1874 Excerpt: ... PART THE SECOND. A CRITICAL EXAMINATION OF SEVERAL OP THE PRINCIPAL WORKS OP HENRY BEYLE, AND AN ANALYSIS OP HIS LEADING THEORIES ON ART, LITERATURE, AND MODERN SOCIETY. "Lives of Haydn, Mozart, and Metastasio." The operatic era in which Beyle wrote this work was a very different one from that of our days. Now we are in a period when the Bellinian idea, beautiful in its orgin, has been fully used up by the talented Donizetti and the more sombre Verdi. The extension which the ingenious Scribe has given to the dramatic canvas has been complemented by those great historical gallery pictures in which Meyerbeer, during his career, showed himself such a master. The man of the day is certainly Richard Wagner; but rather by literary and mechanical, than by purely musical qualities; rather by critical acumen and an exciting orchestral sonority, that exaggerates the thrilling plenitude of enjoyment which had been extracted from the wind instruments by the Beethovens, the Cherubim's, and the Webers; rather by efforts to attain a realistic dramatic indication (that goes beyond the limits of music), than by that divine poetry of sound which had been revealed to a Handel, a Mozart, and a Rossini. When we go back to the year 1814, we find the respectable Ferdinand Paer and the somewhat soporific Simon Mayer to occupy the Italian stage, while Cimarosa and Paisiello were the recognised and established stage classics of the popular order, the great Rossinian gush of spontaneity was beginning, but had not yet been felt in its power. Most of the greatest works of Beethoven had been already given to the world, but they were not familiar to the European public beyond certain German capitals; and it took modern society a good generation more to give a due estimate to works so abo...


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Product Details
  • ISBN-13: 9781150261602
  • Publisher: General Books
  • Publisher Imprint: General Books
  • Height: 246 mm
  • No of Pages: 126
  • Spine Width: 7 mm
  • Width: 189 mm
  • ISBN-10: 1150261609
  • Publisher Date: 01 Feb 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 240 gr


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Henry Beyle (Otherwise de Stendahl); A Critical and Biographical Study Aided by Original Documents and Unpublished Letters from the Private Papers of the Family of Beyle
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