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Encounters in Performance Philosophy: (Performance Philosophy)

Encounters in Performance Philosophy: (Performance Philosophy)


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About the Book

Encounters in Performance Philosophy is a collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance. The essays cover a wide range of concerns common to performance and philosophy including: the body, language, performativity, mimesis and tragedy. The essays introduce and demonstrate the vitality of the emerging field of Performance Philosophy today, but they also provide thorough analyses of the rich history of thinking and practice that this new field inherits. Chapters engage with the work of theatrical philosophers and philosophical theatre makers from the ancient, modern and contemporary periods. Topics addressed include the work of Socrates, Plato, Nietzsche, Deleuze, J.L. Austin, Merleau-Ponty, Heidegger and Lacoue-Labarthe; explored in relation to practices from Greek tragedy and Shakespeare, music and actor training, to experimental theatre and site-specific performance.

Table of Contents:
PART I: BEGINNINGS Preface; Laura Cull and Alice Lagaay PART II: WHAT IS PERFORMANCE PHILOSOPHY? 1. Performance Philosophy - Staging a New Field; Laura Cull 2. Performing the Impossible - in Philosophy; Alice Lagaay in conversation with Alice Koubova PART III: ON THE STAGE 3. The Problem of the Ground: Martin Heidegger and Site-Specific Performance; Martin Puchner 4. The Face and the Profile; Denis Guenoun PART IV: ON THE ACTOR 5. On 'Bodies of Knowledge': Conceptualizing the Art of Acting; Freddie Rokem 6. The Most Mimetic Animal: An Attempt to Deconstruct the Actor's Body; Esa Kirkkopelto PART V: ON THE BODY IN/OF PERFORMANCE PHILOSOPHY 7. The Theatre of the Virtual. How to Stage Potentialities with Merleau-Ponty; Emmanuel Alloa 8. Staging Philosophy: Toward a Performance of Immanent Expression; Arno Bohler 9. The Gymnastics of Thought: Elsa Gindler's Networks of Knowledge; Katja Rothe PART VI: ON PERFORMATIVITY AND LANGUAGE 10. Connecting Performance and Performativity. Does it work?; Sybille Kramer 11. Downscaling Lamentation: On Trope and Fratricide; Nimrod reitman PART VII: ON TRAGEDY 12. Thinking About Philosophy and Drama Today: Three Proposals; Paul A. Kottman 13. After Tragedy; Jean-Luc Nancy PART VIII: ENDINGS 14. The Last Human Venue - Closing Time; Alan Read

About the Author :
Laura Cull is Senior Lecturer in Theatre Studies and Director of Postgraduate Research for the School of Arts at the University of Surrey, UK. She is author of Theatres of Immanence: Deleuze and the Ethics of Performance (Palgrave, 2012) and editor of Deleuze and Performance (Edinburgh University Press, 2009). Alice Lagaay is Senior Lecturer in philosophy at Bremen University, Germany. Her research focuses on the philosophy of voice, negative performance (silence, secrets, not-doing) and her longstanding interest in the relationship between theatre, performance, and philosophy.

Review :
'The corridors of academia have been invaded by new modalities of conveying meaningful articulation. Performance and registers of performativity now profile the most advanced cuts of philosophical presentation - some feisty, some understated and raw, often delivered with melancholic acuity and controlled dazzle. Alice Lagaay and Laura Cull have assembled a number of breakthrough essays by contributors including noted French philosopher Jean-Luc Nancy, that engage, by intricate yet compelling means, the dissociation between the cognitive and performative in contemporary thought.' Avital Ronell, New York University, USA


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Product Details
  • ISBN-13: 9781137462725
  • Publisher: Palgrave MacMillan
  • Publisher Imprint: Palgrave Macmillan
  • Series Title: Performance Philosophy
  • ISBN-10: 1137462728
  • Publisher Date: 17 Oct 2014
  • Binding: Digital (delivered electronically)


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