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Home > Art, Film & Photography > Performing arts > Other performing arts > Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice
Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice

Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice


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About the Book

Applying Performance offers new ways of thinking about contemporary performance, live art and applied theatre. The book features a range of examples of socially engaged and participatory practices, considering key questions and debates about how we value this kind of work, who it is for, what purposes it serves and its status as art. Challenging divisions between subject and object, process and performance, artist and spectator, theory and practice, mind and body, the book participates in the various theoretical turns to affect, ethics and cognition to consider how and why we are moved as partakers in performance, the importance of empathy and embodiment to critical and creative engagement and the role of play and pleasure in affective practice. Case studies include work in a range of institutional settings to include education, health care, museums and prisons as well as projects using performance in developing communities and cultures. The examples are considered in the context of contemporary performance with sections on auto/biography, space, site and place, digital cultures and participatory performance.

Table of Contents:
List of Figures Acknowledgements Preface: Applying Performance PART I: HISTORIES & CONTEXTS Setting the Scene: Critical and Theoretical Contexts Pasts, Pioneers, Politics Principles of Applying Performance PART II: PRACTICES Performing Lives Placing Performance Digital Transportations PART III: PARTICIPATION Unhappy Relations: Critiques of Collaboration Theme Park Hells: Incarcerations Participant Centred Pedagogy and the Affective Learning Environment: LIFT 2011 A Taste of Heaven: (Syn)aesthetics and Participatory Visceral Performance Conclusion Notes Bibliography Index

About the Author :
NICOLA SHAUGHNESSY is Professor of Performance at the University of Kent, UK. Her teaching and research specialisms are contemporary performance, applied theatre, autobiography and performance theory. Previous publications include essays on gender and theatre, autobiographical drama and applied theatre as well as a book on Gertrude Stein. She is Co-Director of Kent University's Research Centre for Cognition, Kinesthetics and Performance and leads the AHRC funded research project Imagining Autism.

Review :
'Applying Performance is a timely and engaging addition to the field, extending the scope and possibilities of what defines applied theatre, and pointing to emerging trends and thinking.' - Michael Balfour, Chair, Applied and Social Theatre, School of Education and Professional Studies, Griffith University, Australia


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Product Details
  • ISBN-13: 9781137033642
  • Publisher: Palgrave Macmillan
  • Publisher Imprint: Palgrave MacMillan
  • Sub Title: Live Art, Socially Engaged Theatre and Affective Practice
  • ISBN-10: 1137033649
  • Publisher Date: 06 Jul 2012
  • Binding: Digital (delivered electronically)


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