T.S. Eliot Volume I

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Table of Contents:
Part 1 ‘Prufrock and Other Observations’; Chapter 1 Arthur Waugh, The New Poetry, ‘Quarterly Review’; Chapter 2 Ezra Pound, Drunken Helots and MR. Eliot, ‘Egoist’; Chapter 3 Unsigned Review, ‘Times Literary Supplement’; Chapter 4 From an Unsigned Review, ‘Literary World’; Chapter 5 Unsigned Review, ‘New Statesman’; Chapter 6 Ezra Pound, T.S. Eliot, ‘Poetry’; Chapter 7 Conrad Aiken, Divers Realists, ‘Dial’; Chapter 8 Ezra Pound, A Letter from Remy de Gourmont, ‘Little Review’; Chapter 9 May Sinclair, ‘Prufr0Ck and Other Observations’: A Criticism, ‘Little Review’; Chapter 10 Babette Deutsch, Another Impressionist, ‘New Republic’; Chapter 11 Marianne Moore, A Note on T.S. Eliot'S Book, ‘Poetry’; Chapter 12 Edgar Jepson, Recent United States Poetry, ‘English Review’; Chapter 13 William Carlos Williams, Prologue, ‘:Little Review’; Part 2 ‘Poems’; Chapter 14 Unsigned Review, Not Here, O Apollo, ‘Times Literary Supplement’; Chapter 15 From an Unsigned Review, is this Poetry?, ‘Athenaeum’; Part 3 ‘Ara Vos Prec’; Chapter 16 John Middleton Murry, The Eternal Footman, ‘Athenaeum’; Chapter 17 Unsigned Review, A New Byronism, ‘Times Literary Supplement’; Chapter 18 Robert Nichols, An Ironist, ‘Observer’; Chapter 19 Desmond Maccarthy, New Poets, T.S. Eliot, ‘New Statesman’; Chapter 20 Clive Bell, Plus de Jazz, ‘New Republic’; Part 4 ‘Poems’; Chapter 21 Marion Strobel, Perilous Leaping, ‘Poetry’; Chapter 22 E.E. Cummings, T.S. Eliot, ‘Dial’; Chapter 23 Mark van Doren, Anglo-Saxon Adventures in Verse, ‘Nation’ (New York); Chapter 24 Louis Untermeyer, Irony De Luxe, ‘Freeman’; Chapter 25 Raymond Weaver, What Ails Pegasus?, ‘Bookman’ (New York); Chapter 26 Padraic Colum, Studies in The Sophisticated, ‘New Republic’; Part 5 'The Waste Land’; Chapter 27 Unsigned Notice of the First Issue of the ‘Criterion’ and Review of ‘The Waste Land’, ‘Times Literary Supplement’; Chapter 28 Unsigned Comment on the ‘Dial’ Award of $2,000 to ‘The Waste Land’, ‘New York Times Book Review’; Chapter 29 Unsigned Account of Why Eliot Was Awarded the ‘Dial's’ Prize, ‘Dial’; Chapter 30 Edmund Wilson, the Poetry of Drouth, ‘Dial’; Chapter 31 Gilbert Seldes, T.S. Eliot, ‘Nation’ (New York); Chapter 32 Louis Untermeyer, Disillusion vs. Dogma, ‘Freeman’; Chapter 33 Elinor Wylie, Mr. Eliot's Slug-Horn, ‘New York Evening Post Literary Review’; Chapter 34 Conrad Aiken, An Anatomy of Melancholy, ‘New Republic’; Chapter 35 Harold Monro, Notes for a Study of ‘The Waste Land’: An Imaginary Dialogue with T.S. Eliot, ‘Chapbook’; Chapter 36 Harriet Monroe, a Contrast, ‘Poetry’; Chapter 37 J.M., Review, ‘Double Dealer’; Chapter 38 John Crowe Ransom, Waste Lands, ‘New York Evening Post Literary Review’; Chapter 39 Allen Tate, A Reply to Ransom, ‘New York Evening Post Literary Review’; Chapter 40 Helen Mcafee, The Literature of Disillusion, ‘Atlantic’; Chapter 41 Edgell Rickword, Unsigned Review, A Fragmentary Poem, ‘Times Literary Supplement’; Chapter 42 Clive Bell, T.S. Eliot, ‘Nation and Athenaeum’; Chapter 43 J.C. Squire on Eliot's Failure to Communicate, ‘London Mercury’; Chapter 44 William Rose BenÉt, Among the New Books. Poetry Ad Lib, ‘Yale Review’; Chapter 45 Charles Powell, Review, ‘Manchester Guardian’; Chapter 46 F.L. Lucas, Review, ‘New Statesman’; Chapter 47 Humbert Wolfe, Waste Land and Waste Paper, ‘Weekly Westminster’; Chapter 48 Gorham B. Munson, The Esotericism of T.S. Eliot, ‘1924’; Part 6 ‘Poems 1909–1925’; Chapter 49 Leonard Woolf, ‘Jug Jug’ To Dirty Ears, ‘Nation and Athenaeum’; Chapter 50 Edgell Rickword, The Modern Poet, ‘Calendar of Modern Letters’; Chapter 51 Louise Morgan, The Poetry of Mr. Eliot, ‘Outlook’ (London); Chapter 52 John Middleton Murry on Eliot and The ‘Classical’ Revival, ‘Adelphi’; Chapter 53 I.A. Richards, Mr. Eliot's Poems, ‘New Statesman’; Chapter 54 Edmund Wilson, Stravinsky and Others, ‘New Republic’; Chapter 55 J.C. Squire on Eliot's Meaninglessness, ‘LOndon Mercury’; Chapter 56 Allen Tate, A Poetry of Ideas, ‘New Republic’; Chapter 57 Conrad Aiken, from The Poetic Dilemma, ‘Dial’; Part 7 ‘Ash-Wednesday’; Chapter 58 Gerald Heard, T.S. Eliot, ‘Week-End Review’; Chapter 59 Francis Birrell, Mr. T.S. Eliot, ‘Nation and Athenaeum’; Chapter 60 Eda Lou Walton, T.S. Eliot Turns to Religious Verse, ‘New York Times Book Review’; Chapter 61 Orgill Mckenzie, Review, ‘New Adelphi’; Chapter 62 Edmund Wilson, Review, ‘New Republic’; Chapter 63 Morton D. Zabel, T.S. Eliot In Mid-Career, ‘Poetry’; Chapter 64 Thomas Moult, from Contrasts in Current Poetry, ‘Bookman’ (London); Chapter 65 William Rose Benet, from round about Parnassus, Saturday Review’; Chapter 66 E.G. Twitchett, Review, ‘London Mercury’; Chapter 67 Brian Howard, Mr. Eliot's Poetry, ‘New Statesman’; Chapter 68 Allen Tate, Irony and Humility, ‘Hound and Horn’; Part 8 ‘Marina’; Chapter 69 Marianne Moore, a Machinery of Satisfaction, ‘Poetry’; Part 9 ‘Triumphal March’; Chapter 70 Morton D. Zabel, The Still Point, ‘Poetry’; Part 10 ‘Sweeney Agonistes’; Chapter 71 D.G. Bridson, Review, ‘New English Weekly’; Chapter 72 George Barker, from a Review, ‘Adelphi’; Chapter 73 Morton D. Zabel, a Modern Purgatorio, ‘Commonweal’; Chapter 74 Marianne Moore, Review, ‘Poetry’; Part 11 ‘The Rock’; Chapter 75 Undigned Review, ‘Listener’; Chapter 76 Unsigned Review, Mr. Eliot's Pageant Play, ‘Times Literary Supplement’; Chapter 77 Michael Sayers, Mr. T.S. Eliot's ‘The Rock’, ‘New English Weekly’; Chapter 78 Unsigned Editorial on ‘The Rock’, ‘Theology’; Chapter 79 Unsigned Review, ‘Tablet’; Chapter 80 Unsigned Review, ‘Everyman’; Chapter 81 A.M., Review, ‘Blackfriars’; Chapter 82 Unsigned Review, ‘s Sunday Times’; Chapter 83 D.W. Harding, ‘The Rock’, ‘Scrutiny’; Chapter 84 Conrad Aiken, After ‘Ash-Wednesday’, ‘Poetry’; Part 12 ‘Murder in the Cathedral’; Chapter 85 Unsigned Review, Mr. Eliot's New Play, ‘Times Literary Supplement’; Chapter 86 I.M. Parsons, from Poetry, Drama and Satire, ‘Spectator’; Chapter 87 James Laughlin, Mr. Eliot on Holy Ground, ‘New English Weekly’; Chapter 88 Edwin Muir, New Literature, ‘London Mercury’; Chapter 89 Mark Van Doren, The Holy Blisful Martir, ‘Nation’ (New York); Chapter 90 F.O. Matthiessen, T.S. Eliot's Drama of Becket, ‘Saturday Review’; Chapter 91 Edward Shillito, Review, ‘Christian Century’; Chapter 92 Frederick A. Pottle, from Drama of Action, ‘Yale Review’; Part 13 ‘Collected Poems 1909–1935’; Chapter 93 John Hayward, London Letter, ‘New York Sun’; Chapter 94 Edwin Muir, Mr. Eliot's Poetry, ‘Spectator’; Chapter 95 Peter Quennell, Mr. T.S. Eliot, ‘New Statesman’; Chapter 96 Cyril Connolly, a Major Poet. the Influence of Mr Eliot, ‘Sunday Times’; Chapter 97 Malcolm Cowley, Afterthoughts on T.S. Eliot, ‘New Republic’; Chapter 98 Marianne Moore, it is not Forbidden to Think, ‘Nation’ (New York); Chapter 99 Morton D. Zabel, from Poets of Five Decades, ‘Southern Review’; Chapter 100 Rolfe Humphries, Eliot's Poetry, ‘New Masses’; Chapter 101 D.W. Harding, T.S. Eliot, 1925–1935, ‘Scrutiny’; Chapter 102 Louis Untermeyer, from New Poetry, ‘Yale Review’; Chapter 103 R.P. Blackmur, The Whole Poet, ‘Poetry’;