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Home > Biographies & Memoire > Biography and non-fiction prose > Anthologies: general > The True Method of Tone Production; A New and Complete Course of Voice Training
The True Method of Tone Production; A New and Complete Course of Voice Training

The True Method of Tone Production; A New and Complete Course of Voice Training


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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1908 Excerpt: ...medium tenor tones (Fig. 3, c). The middle range of tones, at b, are therefore uncertain tones in all heavy bass voices. A certain number--say four, five, or possibly six--can be produced in the chest register (/), if delivered forte; but the upper tones, at e, cannot be produced in chest in every bass voice. And since they The chest register extends from the lower range, at a, to the four lower tones in the middle range, at b. In the production of the latter four tones some basses experience a change in the vocal function, which no doubt is caused by the slight change necessary in the proportions of the cup, if these four tones are not produced in the chest register. To obtain these four tones in chest a certain degree of added energy in the vocal organ is required, particularly if these tones are to be sung forte. If this muscular energy is not employed the muscles expanding the cup (Fig. 6, h, h) for the production of the chest tones will relax, as also the position of the pocket bands (Fig. 6, d, d, ); and this change will establish either a smaller cup cannot be obtained in the pure medium register, some compromise must be effected for the production--in a forte phrase--of these high tones. This consists in cul-tivating this part of the bass voice to enable the singer to produce them in a full head tone quality, which ought to be carried down as low as possible (at g), so as to include as many of the upper tones in this range (at b) as can be obtained. Without this proper training a bass would ordinarily produce these high tones in a thin falsetto, not in keeping with the full quality of the lower tones in chest. The artistic cultivation of these tones depends therefore entirely on the natural capacity of the singer. If he is able to control the muscles..


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Product Details
  • ISBN-13: 9781130933871
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 34
  • Spine Width: 2 mm
  • Width: 189 mm
  • ISBN-10: 1130933873
  • Publisher Date: 01 Mar 2012
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 82 gr


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