The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of
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Home > Art, Film & Photography > The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of
The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of

The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1860 edition. Excerpt: ...same time that the key raises the mallet by means of the pin C, it also lifts off the damper G (a bit. of sponge) from the wire. This damper is fixed on the end of a little wooden_pin G g connected with the lever g H, which has a vellum hinge at B. This motion of the damper is caused by the pin I, which is fixed into the key near to R. These pieces are so adjusted that the first touch of the key lifts the damper, and, immediately after, the pin C acts on the shank of the mallet. As it acts so near to its centre of motion, it causes the head D to move briskly through a considerable arch D d. Being made extremely moveable and very light, it is thus tossed beyond the horizontal position E d, and it strikes the wire F, which is now at libe: -ty to vibrate up and down, by the previous removal of the damper G. Having made its stroke, the mallet falls down again, and rubs on the soft substance on the pin C. It is of essential importance that this mallet be extremely light. Were it heavy, it would have so much force, after rebounding from the wire, that it would rebound from the pin C, and again strike the wire. For it will be recollected that the key is, at this time, down, and the pin 0 raised as high as possible, so that there is very little room for this rebound. Lessening the momentum of the mallet, by making it very light, T making the cushion on the top of the pin C very soft, and great precision in the shape and figure of all the parts, are the only securities against the disagreeable rattling which these rebounds would ocmsion. In respect to the solidity and precision of workmanship, the British instruments are unrivalled, and vast numbers of them have been sent to all parts of the Continent. "As the blow of so light a mallet cannot...


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Product Details
  • ISBN-13: 9781130703825
  • Publisher: Rarebooksclub.com
  • Publisher Imprint: Rarebooksclub.com
  • Height: 246 mm
  • No of Pages: 116
  • Spine Width: 6 mm
  • Width: 189 mm
  • ISBN-10: 1130703827
  • Publisher Date: 13 Sep 2013
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Weight: 222 gr


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The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of
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The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of
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The Pianoforte, Its Origin, Process, and Construction; With Some Account of Instruments of the Same Class Which Preceded It; Viz. the Clavichord, the Virginal, the Spinet, the Harpsichord, Etc.; To Which Is Added a Selection of

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